In Portugal, a
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
该(gāi )片(🔻)(pià(🦕)n )讲(🚉)(jiǎ(🍈)ng )述(shù )了(le )2001年(nián )美国“911”事件中,被困世贸中(🤽)心(⛏)电(🤛)梯(🐒)里(lǐ )的(de )人(rén ),求(qiú )生(shēng )的(de )故(gù )事(shì )。
青(🎌)(qī(⏹)ng )年(⬛)(nián )季(jì )诺(nuò )在(zài )办(bàn )完母亲的丧礼(🏜)后(😉),动(📱)身寻找当年抛弃妻子的渣父,却只找(🚁)到(🕯)疑(🏇)似(🔙)小三的肚皮舞娘萝拉。殊不知这位美(➗)丽(🥋)的(🛩)小(🏍)三,二十五年前就是季诺要找的「他(🍀)」(⛳)。萝(🎚)拉当年的绝情缺席,让季诺难以释怀(🐓)。面(✋)(mià(🆓)n )对(🏛)(duì )毫(háo )不(bú )知(zhī )情(qíng )的(de )儿(ér )子,萝拉(🏧)尽(➖)管(🏋)心(♒)慌,也尽其可能用现在的(de )模(mó )样(yàng )爱(😭)(à(📟)i )他(🐔)(tā )。几(jǐ )次(cì )互(hù )动(dòng )下(xià )来(lái ),季(jì(🎲) )诺(🐈)(nuò(😝) )的心逐渐柔软起来。重塑自己且活得精(🧐)彩(🔀)的(🦐)萝(🔓)拉,究竟会不会和季诺出柜,坦承自(👳)己(🏯)的(⏮)人(❔)生故事?
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
叶苍受师傅之命进入云都(📐)照(👝)顾(🎤)一位故人,不想这位故人早已亡故;(♈)叶(👃)苍(🤜)本(💉)想就此离去,此时(shí )却(què )发(fā )现(xiàn )一(😾)(yī(☝) )名(👦)(mí(⛵)ng )女(nǚ )子(zǐ )与(yǔ )自己有着太多的命运(🔔)纠(💃)葛(💳),因此叶苍改变(biàn )主(zhǔ )意(yì )留(liú )在(zà(🤨)i )了(👃)(le )云(🆓)(yún )都(dōu );只(zhī )是(shì )此(cǐ )时(shí )的(de )云(yún )都(🚛)风(🐎)雨(🌷)飘(👆)摇,荼攴与慕乘风正密谋夺取王权;(🥧)而(🤝)为(😝)了维护那名女子路凝霜,叶苍展现自(📢)己(🛤)超(📷)群的智谋,将大局掌控在自己的手中(🦐),终(🛋)护(🦇)的(🐖)那名女子不受丝毫损伤……
Office misfit Darlene Henderson, AKA "Kitty", takes her cat obsession to perverted and supernatural places, dragging her hapless co-workers John and Janine down dark and feral alleyways of murder and lust.
当地的(🔯)神(💽)话(🖖)将(🏾)被一群十几(jǐ )岁(suì )的(de )青(qīng )少(shǎo )年(niá(🏷)n )在(📤)(zà(🤥)i )偏(piān )远(yuǎn )农田的夜晚发现。有没有嗜(🆖)血(🛒)的(😬)生物一直(zhí )在(zài )徘(pái )徊(huái )在(zài )这(zhè )片(👢)(pià(🕚)n )土(🔎)(tǔ(🤷) )地(dì )上(shàng )?
故(gù )事(shì )讲(jiǎng )述(shù )16岁(suì(🚵) )的(🏺)巴(🦓)基斯坦族少女(玛丽亚·莫兹达饰)一(🤖)家(🖇)住(📴)在奥斯陆,然而家人却遵守着严格的(✉)巴(⏸)基(📻)斯(🕋)坦传统,当她和白人男友的暧昧关系(📻)被(🌇)传(🐫)统(💈)的父亲发现后,父亲立马将她送往巴(🕋)基(🌠)斯(🐖)坦的亲戚家接受(shòu )教(jiāo )育(yù )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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