都说男(nán )人(😋&
都说男(nán )人(😋)(rén )一有(yǒu )钱就变(bià(🌍)n )坏，女人一变坏就有(🌋)钱，这(zhè )句话(huà )用在(zài )张宝文和他的秘书身上(🤭)绝对(duì(🤯) )合适。张宝(bǎ(🍃)o )文原本(🌨)有一个非常(💱)好的前(🤽)程和家(jiā )庭(🧒)(tíng )，但(dà(🙃)n )是他却(què )不(⏲)珍惜，与(🔨)自己(🧑)的秘书(🚊)走(zǒu )到(🍢)(dào )了(🛁)一(yī )起(👗)。这(zhè )一(🍬)段办(⛽)公室的(📯)恋情导(🚿)致了(le )张宝文(🥤)(wén )在事(💡)(shì )业上和家(⛔)庭上彻底破碎。秘(mì(💹) )书的贪(tān )婪最(zuì )终(🤳)落到过街老鼠人人(🆒)喊打的地步(bù )。当张(〽)(zhāng )宝文重(chóng )新回归家庭的时候，一个(gè )熟(shú )悉(🔠)的(de )面孔(kǒng )站(zhàn )在了(🍝)门口挡(🔀)住了他的视(🏒)线(xiàn )。
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
阿(💬)軒(xuān )意外(wà(🏕)i )穿越回(🌹)到了5年前仍(🍤)在讀大(🚵)學的(🛄)時(shí )期(🚄)(qī )，正(zhè(🌞)ng )是他(💵)與(yǔ )女(😥)友 Joyce第一(🕔)次邂(🥛)逅的日(🌼)子。阿(ā(🥏) )軒認(🌚)(rèn )為這(🥥)是(shì )上(🍇)天給他的一(🎟)次機會， 讓(ràng )他阻止(🏬)(zhǐ )父親(qīn )因沉迷賭(😐)博而鑄成大錯、並(😘)(bìng )救回5年(nián )後意(yì(👖) )外受傷昏迷的 Joyce，從而改變自己的(de )命(mìng )運。然而，命(🎍)運真的可以改變嗎(🐇)？一(yī(✈) )切(qiē )又是(shì(⛽) )否可(kě(🌟) )以(yǐ )如他所(🐉)願？
20世(👼)纪福克斯最(🎰)(zuì )近买(📅)下(xià )了Alma Katsu下(xià(🧒) )部小说(🐡)《饥饿(🚀)》（The Hunger）的(🕟)电影版(💓)权(quá(✒)n )，这部(bù(💢) )小说以(😿)(yǐ )《行(🏼)尸走肉(😳)》的风格(🤒)叙述(shù )了(le )北(♌)美(měi )历史上(shàng )最恐(🦑)怖的一段“食人”历(lì(🦅) )史。
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
牧(mù )江村(cūn )郊野(📉)山藏有一怪，赤面獠(🐑)牙(yá )，名曰(yuē )垃圾(jī )人，他身世神秘，以垃圾为食，日(rì )遇村(cūn )妇马秀(🎱)(xiù )娟，将(🏙)其掳掠。马秀(😿)娟通(tō(🌊)ng )过(guò )与垃(lā(👀) )圾人(ré(📐)n )的(de )交往，发现(🚼)他虽丑(🔭)陋骇人(rén )，却(🌸)心(xīn )地(💝)单(dā(🎍)n )纯。但天(🛏)不遂人(🛑)愿，“单(🎐)纯”的垃(🎆)(lā )圾人(👉)(rén )却(🔊)将马秀(🕒)娟视为(🚔)配偶，囚于废(🎇)弃(qì )厂(chǎng )房。矿山老(🍞)(lǎo )板徐东南徐西北(📩)两兄弟欲(yù )借炸山(🗑)(shān )除垃(lā )圾人之名(👓)在野山非法拓矿，全然不(bú )顾马(mǎ )秀娟安危。而垃圾人通过马秀娟(🐌)(juān )逐(zhú(📸) )渐了(le )解人类(🥗)(lèi )的尊(🕐)重与爱，遂将(🚷)其放归(🐺)(guī )牧(mù )江村(🖖)(cūn )。马秀(✳)(xiù )娟得知徐(🏞)东南阴(🍄)谋后(😑)为救(jiù(🐃) )垃圾人(🥤)(rén )与(🍶)之(zhī )抗(🕙)争，最终(🏓)被绑(🚺)于山上(🎶)，垃圾人(🎦)为(wéi )救马(mǎ(🎩) )秀娟与徐东南死命(🐈)相搏，后被徐(xú )东(dō(🍪)ng )南炸(zhà )死。环(huán )保组(🌺)织声明垃圾人出现(😷)乃(nǎi )牧江村(cūn )的环(huán )保意识薄弱之恶果，垃圾人(rén )本无罪(zuì )，罪(zuì(🔧) )在人心(🕛)对环境的态(🐝)度，并呼(🐨)吁民(mín )众(zhò(💿)ng )善待(dà(✖)i )环境。
20世纪福(😻)克斯最(🌰)近买下了Alma Katsu下(✈)(xià )部(bù(⛴) )小说(📲)(shuō )《饥饿(🏘)(è )》（The Hunger）(👂)的电(🐔)影版权(⚪)，这部(bù(🙃) )小说(✋)以(yǐ )《行(👈)(háng )尸走(🆎)肉》的风格叙(📦)述了北美历史上(shà(🙃)ng )最恐(kǒng )怖的一段“食(📣)人”历史。
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
详情
