曾在(🐏)釜(fǔ )山&#
曾在(🐏)釜(fǔ )山酒吧(ba )打(🔖)工的(de )郑经理(lǐ(💡) )，通过(guò )偶然的(👻)(de )机(😩)会偷(tōu )了混混(📅)的钱包之后成(🗿)功逃逸，逃到首(🐬)(shǒu )尔地下(xià )单(🚼)间的(de )郑经理(lǐ(🚘) )等待着(zhe )7年的公(👊)(gō(😧)ng )诉时效(xiào )期(🕵)满(🈶)，在房间寸步(♿)不(😅)离，开始了彻底(🉑)(dǐ )的隐遁(dùn )生(⛄)活，但是在公诉(📩)时效期满一周(🌽)前，郑经理偶然(👮)(rán )跟邻家(jiā )的(🎙)小(📦)女(nǚ )孩恩美(mě(❓)i )碰面，
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
17歲的莎拉(📛)全心投入學校(🐥)的戲劇(jù )排練(🌉)，赤裸地(dì )體驗(🍵)舞(wǔ )台上和(hé(🐟) )生(✨)活中(zhōng )的暴力(💢)(lì )。當她(tā )試圖(🐅)揭(jiē )露深藏心(⬆)中的醜陋秘密(🤕)，高聲(shēng )呼喊卻(🎙)(què )孤立無(wú )援(🎀)，於(🔫)(yú )是在莎(shā(🌔) )士(🛵)比亞(yà )和華(❗)格(🖲)(gé )納的經(jīng )典(😹)劇目(mù )中尋找(🕗)寄託，她想握有(🍼)茱麗葉(yè )的匕(🕙)首(shǒu )，想跟隨伊(🕞)索德的腳步殉情(🍩)而去，當她站上(🏊)舞台(tái )，她是(shì(😛) )否能對(duì )世界(👘)展(zhǎn )開反擊(jī(🚼) )，扮演的界線究(🤽)竟在哪裡？
李(lǐ(🚿) )天洋和(hé )郑月(🎁)两(liǎng )位年轻(qī(👢)ng )“小炮(pào )儿”在(zà(🎉)i )执行神(shén )秘任(⛸)务(wù )时失败(bà(✉)i )，惹怒老大闫老(🥠)板(💦)，开始了亡(wá(📎)ng )命(➖)天涯(yá )的故事(🕊)(shì )。在找(zhǎo )寻货(💢)物(wù )的过程(ché(🤸)ng )中，郑(zhèng )月偶遇(🐂)(yù )发小并(bìng )帮(📜)发小找回了失(🏽)踪多时的男朋(pé(💾)ng )友。同(tóng )时，郑月(😜)发现了货物的(👞)秘密并明白如(♋)果不逃离这个(🎙)地方(fāng )就会丧(➗)(sàng )失性命(mìng )。屋漏(🦎)(lòu )偏逢连夜雨(🔯)，在郑月准备离(🌶)开(kāi )的时候(hò(📲)u )，兄弟(dì )和发小(😶)(xiǎo )的被闫(yán )老(🛹)板抓(zhuā )，郑月(yuè(🔫) )不(😄)得不(bú )与闫(🌸)老(🌚)(lǎo )板正面冲突(🎠)，随之而来的却(🔐)是(shì )越来越(yuè(🥠) )多的麻(má )烦。
Candice（(🍥)王奕瑾(jǐn )饰演(🔮)）去东京(jīng )拜(🌭)访家(jiā )族的合(hé(📙) )作伙伴，进行商(🍈)务之旅同时，好(😷)奇心(xīn )重的她(🦋)为已逝世16年的(👩)叔叔找寻旧爱(🍵)Joyce(朱永菁饰演)。然而(🏪)，Joyce当天却(què )没有(🌡)依(yī )约在东(dō(👃)ng )京铁塔出现。Candice置(🕶)身在语言文化(🥐)(huà )陌生的(de )环境(♿)，不仅迷(mí )失在(🍽)东(🛅)(dōng )京街头(tó(🤒)u ) ，面(🕎)对(duì )人事已(yǐ(🎏) )非的东(dōng )京，对(👀)于寻人任务是(📕)否能完成(chéng )更(🎍)是没(méi )有把握(🕗)(wò )。当Candice终(zhōng )于克(🐭)服(fú )重重困(kùn )难(🗨)与Joyce见(jiàn )面。Candice满(mǎ(🐟)n )足了刺(cì )激人(🚳)生的渴望;然而(🏰)，她所追求(qiú )的(👖)刺激(jī )，却在Joyce平(🌖)静的人生投下一(🈂)颗震撼弹...
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
故事(🤵)讲述16岁的巴基(📂)斯(sī )坦族少(shǎ(😌)o )女(玛丽(lì )亚·(🕣)莫(mò )兹达饰)一(🏟)家住在奥斯陆(🦆)，然(🐖)而(ér )家人却(🍂)(què(😄) )遵守着(zhe )严格的(🏂)(de )巴基斯(sī )坦传(🛤)统(tǒng )，当她(tā )和(🔏)白人(rén )男友的(♍)(de )暧昧关系被传(🤧)统的父亲发现(Ⓜ)后(hòu )，父亲(qīn )立马(🎅)将(jiāng )她送往(wǎ(🐏)ng )巴基斯(sī )坦的(❎)亲(qīn )戚家接(jiē(🥌) )受教育(yù )。
青年(💮)(nián )画家岸春自(🌐)小在内蒙古长大(🔬)，当地的(de )风土人(♈)情造就了他的(💌)艺术才华。然而(🤙)在他的内心一(📮)直有(yǒu )着一块(🐖)(kuài )难以抚(fǔ )平(🐙)的(🍷)伤(shāng )痕，过早(🎚)缺(🎞)失的母爱让这(⏫)位人(rén )前光鲜(📂)(xiān )的艺术(shù )家(🔏)在情(qíng )感里陷(💀)(xiàn )入迷失(shī )，常(🍧)以(yǐ )酒精为(wé(🗞)i )伴麻醉(zuì )自我。当(🗡)受一位蒙古老(✒)人所托(tuō )，为他(🤥)(tā )英年早(zǎo )逝(😖)的母(mǔ )亲画一(💲)(yī )幅肖像(xiàng )，这(🎩)个(gè )母亲的(de )肖像(😬)却(què )怎么都画(👂)不出神。对于母(👠)爱缺(quē )少感触(🆒)(chù )与理解(jiě )，成(🐧)了他无法落笔(🕑)的难题。心烦意(⛓)乱(🎻)之时，岸春(chū(🍑)n )遇(🎎)到了(le )单身妈(mā(🈸) )妈如西(xī )，如西(🏪)和儿子的温情(👡)不仅让他(tā )感(🛃)受到(dào )母爱的(🏂)(de )温暖也(yě )让他(🚭)找(zhǎo )寻到了(le )爱情(✊)的(de )味道。但是，母(✒)亲到底为什么(🏮)会从小抛弃自(🛌)(zì )己，在(zài )日日(🖕)夜(yè )夜的叩(kò(🎢)u )问中，也在如(rú )西(🎩)的介(jiè )入下，似(👩)乎有(yǒu )了意想(🤺)不到的答案，岸(🗓)春也踏(tà )上寻(🛺)母(mǔ )之路。母亲(🐡)的肖像到底能(🛡)否(😭)兑现给蒙古(🔥)老(🕜)人的期盼？岁(🅰)(suì )月里母(mǔ )爱(🖲)的真(zhēn )相会怎(🎎)(zěn )样揭开？原(🌕)来，岸春的母亲(👗)一(yī )直以一(yī(💼) )个特殊(shū )的身份(♊)(fèn )出现在(zài )他(💲)的生(shēng )活里！面(🛁)对时(shí )间、面(🤩)(miàn )对生命的脆(🐜)弱多变，只想向(💌)岁(suì )月祈求(qiú )，时(🔸)光(guāng )你慢些(xiē(🛐) )走，让(ràng )儿子还(🔗)(hái )能记下(xià )母(👕)亲的(de )容颜......
故(gù(🌒) )事讲述大学里(💳)的四个老朋友(🤓)徒(🍿)(tú )步穿越(yuè(😩) )斯(🔩)堪的(de )纳维亚的(🎲)荒野，然而错误(😝)的决定让他们(💼)深入北欧(ōu )神(💽)话传(chuán )说中的(🔬)(de )神秘黑(hēi )森林(😻)，一个古老邪恶的(🤙)生物也(yě )盯上(🅰)几(jǐ )个人。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
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