又到了年末(🔱)，阿×
又到了年末(🔱)，阿呆(dāi )和(👒)阿瓜像所有人(ré(📋)n )一样，开始(🐧)为圣(shèng )诞节及(🐦)新年PARTY做准(🥡)(zhǔn )备，但是，作为(😶)(wéi )这个世界(🍒)上动(🈯)手(shǒu )能力(🔜)最强的小发(fā(🔠) )明家，怎么(🥧)能跟(gēn )普通人(🎬)一(👥)样来装扮(🎓)自己的院子和(💄)房子(zǐ )呢(🔻)？于(🖇)是，两个(gè(🛌) )好朋友开动脑筋(🚁)(jīn )，对自己(⛳)的家展(zhǎn )开了(🔰)不一样的(🔹)改(gǎi )造，当然，他(🏒)们(men )也没有忘(💔)记帮自(zì )己的(🤨)好朋友选一(yī(😣) )件“最好的(🏪)礼物”。
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...
20世纪福克(🤬)斯最(zuì )近(🔯)买下了Alma Katsu下部小(🉑)(xiǎo )说《饥饿(🦐)》（The Hunger）的电影版(💈)权，这(zhè )部小(😹)说以(🐍)《行尸(shī )走(🎗)肉》的风格叙(xù(📶) )述了北美(🔬)历史上(shàng )最恐(🐓)怖(😟)的一段“食(🖼)人”历史。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
阿黛尔(🐎)(ěr )和她的(🕑)母亲(🛀)孔查(chá )生(🎈)活在城郊的一(yī(📼) )个贫民窟(🏑)里。孔(kǒng )查的丈(😞)夫是个可(🧜)(kě )恶的暴徒，他(👎)使(shǐ )母女俩(🍌)长期生活(huó )在(⛏)暴力和虐待之(🈴)(zhī )中。对此(📧)忍无可忍的(de )孔查(🎇)决定不顾(🐆)一(yī )切风险，偷(🚌)走一(yī )大(📗)笔钱，并带着(zhe )女(📜)儿阿黛尔逃离(lí(🔱) )。不幸的是(🙁)，她(tā )们在出逃(🚫)中被发(fā(🏦) )现了。在追捕过(📓)(guò(😄) )程中，孔查(🌗)却意外地驾车(🕑)撞死了丈夫(fū(🕺) )……这场(🏇)逃离注(zhù )定是一(🧟)次冒险，而(😪)母女俩竭尽全(✂)(quán )力，才能(🌤)挣脱一(yī )直禁(🐰)锢她们的牢(🐱)(láo )笼。在这段跨(🐡)越(yuè )生命的寓(💚)言中，力量(✋)、困难、爱的希(🐒)(xī )望、机(🚥)会和死亡(wáng )如(🤾)影随形。
遭(🍳)到(dào )友人設局(🔺)而欠下(xià )大筆債(🐹)務的張父(💔)(fù )，逼不得已帶(🤘)著(zhe )一家四(🐔)口承租花(huā )蓮(💀)的(⛵)一處 凶宅(🔻)，此處過去曾發(💕)生了駭人聽聞(🕡)的五子命(🤛)(mìng )案。初入凶宅的(🏘)(de )當天，一些(🔸)若有(yǒu )似無鬼(🎫)影幢幢，加(🍗)上張父突如其(🙋)(qí )來的搬家(🌩)舉動，惹的張母(🚕)與大姊(zǐ )心裡(🤜)不愉快。即(♍)使向張父抱怨，鐵(🆑)齒(chǐ )的張(🥏)父以一貫不(bú(💫) )信鬼神的(👾)態度，予以拒絕(🈁)。
《驴(lǘ )为媒》故事发(🌲)生(shēng )在当(🗞)下鲁西大地(dì(🗄) )上的聊城(💉)市，讲(jiǎng )述的是(🧔)在(🗑)京打拼(pī(🔘)n )多年的有志青(🔭)年，得知老家惠(🗯)民政策(cè(⛴) )后，回乡养驴、带(🌱)领村民脱(🥘)贫致(zhì )富，实现(🎸)自己创(chuà(🎫)ng )业梦，并赢得爱(⛓)(ài )情的故事(🐸);讲述了(le )党的精(🚧)准扶贫政(zhèng )策(🥐)和乡村振(👺)兴战略在齐鲁大(🍅)地的生动(⭐)(dòng )实践，展现了(🦑)基(jī )层党(🌴)员干部在全(quá(🎢)n )面建成小康社会(🌳)(huì )进程中(🤐)的“主心(xīn )骨”形(⏱)象。电影(yǐ(🌯)ng )《驴为媒》坚持(chí(💤) )“小(🔵)成本、大(😚)情(qíng )怀、正能(🚖)量”的创作宗旨(🍻)，紧扣当前(🍘)(qián )乡村振兴和精(🎰)准(zhǔn )扶贫(🔟)主题，将社(shè )会(😽)效益、价(🤟)值引(yǐn )领放在(🌊)首位，引(yǐn )导(🏕)人们努力实现(🔦)(xiàn )个人前途与(🙀)国家(jiā )命(🙅)运、个体经历(🏇)与(🏚)时代大潮(🐪)、个体情(qíng )感(🎁)与国家情(😖)感的(de )同频共振(📿)，激励(lì )人们向上(🏏)向善，自觉(🕖)践行社会主(zhǔ(📅) )义核心价(🔊)值观，讴歌党、(🌚)讴歌人(rén )民(🌡)、讴歌新时代(🌨)(dài )。
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