《诡宅魅(mèi )影》
《诡宅魅(mèi )影》讲述(shù )的是民国时期被父母寄(jì )居在吴宅(zhái )的(de )小莲（瑶(yáo )瑶）因长(zhǎng )期(🕦)遭受吴老(🏈)爷虐待迫(🚡)害(hài )，导致(📝)人(rén )格分(🕌)裂，陷(xiàn )入(🗓)四重人(ré(😦)n )格。由于(yú(🥢) )吴老爷与(🥫)土(♏)匪勾结(🥈)，小(🌷)(xiǎo )莲即(🆑)将(🔃)被(bèi )灭(✔)(miè(🚇) )口之际(🥈)，幸(👚)得吴宅(👲)(zhá(🕡)i )老管家(🌷)（(🌖)李子雄(📐)饰(🔵)演）搭救(✅)才幸(xìng )免(🔯)(miǎn )于难。而(ér )此时的小(xiǎo )莲已经得了失心疯，得知妹妹悲(bēi )惨遭遇后(hòu )，远在国外(wài )学习心理(lǐ )学的哥哥决定回国，帮(bāng )助小莲进(jìn )行(háng )心理(🚪)治疗(liáo )。他(⏲)对小(xiǎo )莲(🎼)进行了催(🏕)眠，将小莲(🎬)(lián )再度带(💹)回(huí )吴家(😞)大院，并实(🤶)地还(hái )原(🐖)囚(🧖)禁场景(🛬)，小(📧)莲在哥(🔌)哥(🎗)和吴家(🙌)(jiā(🥑) )老管家(🌩)的(🤹)(de )帮(bāng )助(🏔)下(🕖)，战(zhàn )胜(⏳)了(🏿)失心(xīn )疯(🌮)，找回自我(⛪)，恢复了(le )健康。
Candice（王(wáng )奕瑾饰演(yǎn )）去东京(jīng )拜访家族的合作伙伴，进行商务(wù )之旅同时(shí )，好奇心重(chóng )的她为已(yǐ )逝世16年的叔叔找寻旧爱(à(🕓)i )Joyce(朱永菁饰(🐌)(shì )演(yǎn ))。然(🕡)而，Joyce当天却(🏗)没(méi )有依(🐇)约在东京(🔬)铁塔出现(📲)(xiàn )。Candice置身在(🤽)(zài )语言文(📘)化(🎴)陌(mò )生(🥟)的(🤕)环境(jì(👢)ng )，不(💼)仅迷失(💉)在(💕)东京街(🛸)头(🚐) ，面对人(📆)(ré(💷)n )事已非(🕓)的(🦉)(de )东(dōng )京，对(💔)于(yú )寻人(🌿)任务(wù )是否能完成更是没有把(bǎ )握。当Candice终(zhōng )于(yú )克服重重(chóng )困难与Joyce见(jiàn )面。Candice满足了刺激人生的(de )渴望;然而(ér )，她所追(zhuī )求(qiú )的刺激，却在Joyce平静(jì(🎍)ng )的人生投(😧)下一颗震(♓)撼弹(dàn )...
Eddie (Anthony Del Negro) and his friend Chris (Christopher Lenk) call out for an escort after Eddie's girlfriend (Isabella Racco) breaks up with him and moves out of their house. Little do they know that while Natasha is a breathtaking beauty, she's really a possessed doll created by a mad doctor (Don Scribner) in an unholy laboratory and built with the urge to kill and dominate the minds of others to kill for her.@
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
叶(🔃)苍受师(shī(😠) )傅(fù )之命(📭)进入(rù )云(👋)都照顾(gù(🐋) )一位故人(🌓)，不(🕐)想这位(🔭)故(🚾)(gù )人早(🏤)已(💂)亡(wáng )故(🀄)；(😩)叶苍本(🕣)(bě(🐸)n )想就此(🌄)离(🔇)(lí )去，此(📔)时(🙆)却发现一(❗)名女子与(🚏)自己(jǐ )有(🚄)着太多(duō )的(de )命运纠葛(gě )，因此叶(yè )苍改变主意留在了云都(dōu )；只是此(cǐ )时(shí )的云都风(fēng )雨飘摇，荼攴与慕乘风正密谋夺(duó )取王权(⛰)；而为了(🦆)维护(hù )那(🤩)名女子(zǐ(👱) )路凝霜，叶(😐)苍展现自(💬)己超群的(🍰)智(zhì )谋，将(🦗)大(dà )局(jú(🥧) )掌(❤)控在自(🍄)(zì(🍠) )己的手(🌡)中(📹)(zhōng )，终护(🎩)的(💥)那名女(😞)子(🆚)不受(shò(⏳)u )丝(🌜)毫损伤(🍵)(shā(📣)ng )……
你可(👵)能(néng )说你(🥑)看不(bú )到(😕)五分钟，我只能说你错过了最(zuì )后五分钟(zhōng )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.
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