银(🐐)行(🎗)经(🙃)
银(🐐)行(🎗)经(🙃)理(lǐ )雅各布(弗兰(lán )克(🔨)·格里罗(luó )饰)的同(💣)事(👗)被(🖖)(bèi )暴徒夺去生命，而他(🐳)将和警(jǐng )察(布鲁斯·(👳)威(🐞)利斯饰)联(lián )手制服凶手(shǒu )。
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
印度每年(nián )有超(✊)过(🐤)二万宗针(zhēn )对女性(👙)的(🔚)暴(bào )力罪案，平(píng )均每(🐠)二(🧣)十二(èr )分钟就有一(🔻)名(🌬)女性被强暴，每六小时(🧟)就(🐴)(jiù )有一名妇女(nǚ(♍) )因(☔)家(🦒)庭暴力(lì )丧命。年轻(qī(👊)ng )的(🏛)基层女警(jǐng )索妮(🏨)与(🍮)上(📄)司卡帕(pà )纳在德里一(🛎)(yī )同接手调查(chá )不(🕊)同(💯)的(🙄)女性(xìng )暴力事件，在办(🍼)案过程(chéng )中往往遭(🍟)受(🃏)到(🏅)了(le )重大阻力，无日无之的(de )罪案令她脾(pí )气暴(🛺)躁(🤭)，做事方式偏离(lí )常(🧀)规(🎻)，被裁定在(zài )执勤中行(🔦)为(🔷)(wéi )不当，而私(sī )人生(🎏)活(💮)也影(yǐng )响到了她的职(🍚)业(🏇)表现，与丈夫已经(⚾)彼(🥔)此(🎎)(cǐ )疏离，却要(yào )被迫面(🚄)对(🏡)他(tā )突然的到访(👱)(fǎ(🚠)ng )。印(⬇)度电影(yǐng )少见的写实(📨)题材(cái )，以一场一(yī(🦂) )镜(🎏)营(🛏)造出真(zhēn )实迫力，将(jiā(🤝)ng )社会低下层(céng )女性(🌝)受(😏)到(🏽)压(yā )迫的问题表露无(wú )遗。
《驴为(wéi )媒》故事发(📺)(fā(📔) )生在当下鲁(lǔ )西大(💖)地(🧚)上的聊城市，讲(jiǎng )述的(📧)是(📅)在京打拼(pīn )多年的(😠)有(🚽)志(zhì )青年，得知(zhī )老家(☔)惠(🤳)民政(zhèng )策后，回乡养(⚓)驴(📅)、带领村民脱贫致富(🎼)，实(☝)现自己创(chuàng )业梦(🛀)，并(📫)赢(😬)(yíng )得爱情的故(gù )事;讲(🐍)述了党(dǎng )的精准扶(🚯)贫(🐢)政(😼)策(cè )和乡村振兴(xìng )战(🧣)略在齐鲁(lǔ )大地的(🕙)生(📱)动(🕴)(dòng )实践，展现(xiàn )了基层党员(yuán )干部在全面建(👙)成(🔅)(chéng )小康社会进(jìn )程中(🤙)的“主(zhǔ )心骨”形象(xiàng )。电(🦈)影(😣)《驴为媒》坚持(chí )“小成(⏸)本(🤜)、大情(qíng )怀、正能量(❌)(lià(🍳)ng )”的创作宗(zōng )旨，紧扣(🤤)当(🏃)(dāng )前乡村振兴和精准(🗳)扶(🕠)贫主题，将社会效(🔁)(xià(🌲)o )益(🧛)、价值引(yǐn )领放在首(🤨)位(wèi )，引导人们(men )努力(🌳)实(🍣)现(🔌)个(gè )人前途与国家命(🍏)(mìng )运、个体经(jīng )历(🧜)与(📼)时(🍏)代大(dà )潮、个体情(qíng )感与国家情(qíng )感的同(🔭)频(🤧)共(gòng )振，激励人们向(xià(🎦)ng )上向善，自(zì )觉践行社(🅱)会(😺)(huì )主义核心价(jià )值(♐)观(🔝)，讴歌党、讴歌人(rén )民(🚉)、(👾)讴歌新时代(dài )。
ユミ(🎢)は(💊)夫(fū )と娘の３人(rén )暮(🚚)ら(✊)し。近(jìn )々引っ越(🎺)し(🥉)を(🔖)考えている。ユミは娘(✊)のレイナが時(shí )折(♈)う(😰)わ(🙈)言を発することが、(🛷)少々気(qì )にかかっ(🈺)て(🤑)い(🌙)た。転居の報(bào )告も兼ねて友人ヒロミと久(😁)々(🏮)に再(zài )会するユミ。話(🏭)題はいつしか「あの(🛣)日(🗜)(rì )」のことに。「私(🎐)た(❌)ちが埋めた時、本当(📣)に(😴)死(sǐ )んでたのかな(😫)？(🈷)」。ユミは「あの日」(⬜)の(🚢)ことを清(qīng )算す(🍫)べ(🐿)く(💲)、サエ、アコにも再(🚃)会を決意(yì )し、廃(📊)墟(🤽)の(📆)ような家に一人で住(💚)むサエに会いに行(🍪)く(📀)。サ(😦)エは、見知らぬ少女が現れて娘だと言(yá(🥦)n )っ(👸)て聞かず、しばらく(🥅)一緒に暮らしていた(🙏)が(🈂)死んだこと、そし(🔡)て(🥉)少女は死んだままそ(🦌)の(📡)家の３階に寝かさ(📦)れ(📪)ているということを(♉)話(🍉)し出す。(C)「黄(huáng )泉(📺)が(🍇)え(👋)る少(shǎo )女」製作委員(🚯)会
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.
This is the untold story of the true Mayan Apocalypse that has been misinterpreted by scholars and was to have taken place on 12/12/12 - that was obviously wrong. A secret group of Mexican superheroes, known as El Trio de la Luz, are forced by destiny to include their adopted gringo into their group to help fight to save humanity. Will the car salesman and local TV personality carry his weight and transform from the GRINGO into the GREEN GHOST? We shall see..
详情
