“没有(😟)名字(zì(
“没有(😟)名字(zì(🗜) )的我(wǒ )，没有未来(lái )的她(tā )”
威尼斯國(guó )際電(diàn )影節參展作(zuò(🕌) )品
该(gā(🕟)i )片改编(🖖)自脱(tuō(🛠) )北女(nǚ(🛃) )性的真实故(🏬)(gù )事，讲(🎉)述的是(🍢)抛(pāo )开(🛩)家人，逃(🔴)往韩国(🐬)的母亲(👕)与憎恨(👑)自己的儿子在16年后重逢的故事。
在法院擔(dān )任公設辯護人的(👔)(de )李慧貞(🌿)，接任一(🎑)(yī )樁由(😬)名律師(🤫)王國(guó )超中(🐁)(zhōng )途解(🔅)除委任(🐭)(rèn )的青(🦖)(qīng )少年(🖕)殺人案(🥧)(àn )。
"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
这(zhè(🍄) )部电影的故(gù )事背(bèi )景让人不禁(jìn )回忆(yì )起《逃出绝(jué )命镇(🙌)(zhèn )》。一位(🔟)黑(hēi )人(〰)男(nán )性(🌌)（杰森(🚹)·米切(qiē )尔(🦂)饰）在(🐄)周(zhōu )末(👙)的(de )时候(🤙)，因为(wé(🔣)i )觉得(dé(🙃) )周围只(💁)有白(bá(🌚)i )人朋(péng )友所以觉得十分紧张。当然，这部作品与乔丹·皮尔去(📊)年那部(🛃)符合大(😏)(dà )众口(🚇)味的《逃(🗺)出(chū )绝命镇(🌓)》不同。智(😋)利导演(🐨)塞巴斯(🔗)(sī )蒂安(🙍)(ān )·席(🤤)尔瓦是(📶)(shì )一个(gè )古怪的人，他的(de )电影如《女(nǚ )仆》、《水晶仙(xiān )女》、《肮脏(🗼)的(de )婴儿(🌯)(ér )》都倾(🐠)向于(yú(🐩) )剑走(zǒ(🎈)u )偏锋，故事(shì(😅) )开始(shǐ(🍗) )会有点(🔴)怪异(yì(🐃) )，而(ér )之(🎬)后则会(🚓)变(biàn )得(💄)更(gèng )加(🛰)怪异。这(zhè )种风(fēng )格对于《周末生日游》意味着什么呢？还不知(👈)道。但我(⛳)们非常(🌺)期待这(📼)(zhè )种不(👮)确定性，况(kuà(🎰)ng )且演员(🏂)阵容中(🕎)还(hái )有(⬅)克里斯(🏉)托弗·(👭)阿伯(bó(🐪) )特、迦勒兰(lán )德里(lǐ )·琼斯,迈克(kè )尔·塞拉和安·道德(dé(😆) )。
藝術家(☕)自(zì )古(🚞)皆(jiē )寂(🤣)寞或許(⏩)是(shì )境界(jiè(🏌) )，人到中(🏢)年(nián )萬(📧)事(shì )憂(⛲)則是現(🏃)實(shí )。在(💶)(zài )畫室(😛)洋洋灑(sǎ )灑呈(chéng )現自由雄風(fēng )的裸(luǒ )男畫作令他(tā )一舉(jǔ )成名，在(📈)家面對(🐟)前妻懷(🕥)着新歡(🌷)骨肉、(🔝)與女兒相處(🤚)尷尬卻(🍓)令他一(👓)籌莫展(♿)(zhǎn )。貝蒙(💰)特的寂(🚡)寞(mò )，在(🧢)於如何在著(zhe )名畫家與單親爸(bà )爸雙(shuāng )重身份、藝(yì )術創(chuà(🍬)ng )作與家(🏀)庭生(shē(🕌)ng )活之(zhī(💮) )間取得(👟)平衡(héng )。維(wé(💃)i )羅（《電(🥍)影(yǐng )就(🙅)在(zài )街(⏮)角》，35 屆(jiè(🛅) )）找(zhǎ(➗)o )來合作(🖊)多年(nián )的編(biān )劇兼美指好(hǎo )友對(duì )號入座，還(hái )原藝(yì )術家(🏝)有血有(⤵)(yǒu )肉的(🍸)(de )矛盾本(🍈)性，在出(😍)(chū )世與入世的兩難(🕐)外，毋忘(🈺)點點超(🌈)現實的(🈁)幽默。
20世(🤝)纪福克(🕋)斯最近(🐭)买下了Alma Katsu下部小说《饥饿(è )》（The Hunger）的电影版(bǎn )权，这部小说以(yǐ )《行(🌹)(háng )尸走(🤓)肉》的(de )风(🌠)格(gé )叙(🥦)述了北(♌)美(měi )历史(shǐ(🚲) )上最恐(🏈)怖的(de )一(📋)段(duàn )“食(📶)人”历(lì(🚨) )史。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
详情
