中年建築(zhù )師(
中年建築(zhù )師(🍍)遇(yù )上(🎽)人(🥚)生瓶頸,在家被老婆(🛐)(pó )嫌棄(🏆)(qì ),公司小(😿)開兔死(sǐ )狗(🐘)烹(pēng )。失(🚛)業的他在(👯)曼谷街頭驀(🧓)(mò )然回(🐩)(huí )首,瞥見(⚽)大象Pop Aye,憶起(qǐ(🥑) )歡快的(🐵)童(tóng )年時(🐉)光,毅然買(mǎi )下大(dà(⏫) )象,卻發現(⛸)都市(shì )生活(huó )容不(🍎)下他(tā )倆(🏧),打算和老象(xiàng )一路(⬜)(lù )向北返(🛍)鄉。這趟(tàng )人與(yǔ )象(🍦)的公路(lù(🧙) )之旅,途中狀況(kuàng )不(🤞)斷(duàn ),所幸(🔇)萬能的象鼻領著他(🖊)(tā )倆,與(🎓)沿(💇)路風景相伴(bàn )。《爸媽(🏳)不在家(🎒)》導演陳哲藝(yì )監製(zhì(🎅) ),阿比查(🦐)邦御用(yò(🗂)ng )剪接(jiē )操刀(🌆),看擅長(🖕)冷幽默的(🕣)才(cái )女導(dǎ(🤜)o )演陳敬(🛳)音,用象(xià(👏)ng )鼻對(duì )抗中年危(wē(🚜)i )機!將泰國(😅)鄉下(xià )的荒(huāng )涼風(👣)景,轉變成(🏌)(chéng )一首(shǒu )洋溢著淡(👀)(dàn )淡霓虹(🤜)光芒的自(zì )我蛻(tuì(⏯) )變之歌。
In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
17歲(🌝)的莎(shā )拉全(quán )心投(🐋)入學(xué )校(🥈)的戲劇排練,赤裸(luǒ(🏥) )地體驗(🆖)舞(🤶)台上和生活中的(de )暴(🎶)力(lì )。當(🐶)她(🔹)試圖揭露(lù )深藏(cá(🙄)ng )心中的(🚩)醜陋秘密(🌥),高聲呼(hū )喊(🔇)卻(què )孤(💀)立無援,於(🌄)是(shì )在莎(shā(🍵) )士比亞(♋)和華格納(💡)的經典劇(jù )目中(zhō(📒)ng )尋找寄託(🆒),她想(xiǎng )握有(yǒu )茱麗(🚹)葉的(de )匕首(🛁),想跟隨伊(yī )索德(dé(😞) )的腳步殉(🏕)情而去(qù ),當(dāng )她站(🌮)上舞(wǔ )台(🎮),她是否能對(duì )世界(🎳)(jiè )展開反(😣)擊,扮演的界(jiè )線究(💣)竟在(zà(😞)i )哪(🛳)裡?
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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