《上海月(🍗)(yuè(&
《上海月(🍗)(yuè(👝) )亮》根据(🍉)井上(shàng )厦的同名原作改编(🚂)而(ér )成(🏋)的(🔑)舞台剧(🙇)(jù )，由栗山(shān )民也执导，野(yě(🎋) )村(☔)万斋(zhā(🏐)i )、广末凉(🎒)子主(zhǔ )演，鷲尾真(zhēn )知子(⏯)、(🥟)土(tǔ )屋(🧣)佑壱、山(🖱)(shān )崎一和辻(shí )万长共同(🚃)出(🙆)演(yǎn )于(❄)2018年3月推(tuī )出。
曼道和(hé )他的成年侄(👯)(zhí(➰) )子杰克(🌲)逊(xùn )使用星体投(tóu )射来扭转(zhuǎn )鬼(👔)魂(📎)在万圣(🛷)节(jiē )的死亡。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
故事发生在(zà(😐)i )墨西哥(❎)城(🌠)的(de )一个(♑)中产(chǎn )阶级社区“罗马”，讲述(🛰)年轻女(😳)佣(🚬)(yòng )克里(🗿)奥（雅利扎·阿(ā )巴里西(🔈)奥(👞)饰(shì )）(😽)在雇主(zhǔ(🍔) )索菲亚（玛丽(lì )娜·德(🐩)(dé(🍽) )·塔维(💰)拉饰）家(🎏)中工作，该家中索(suǒ )菲亚(🗼)的(🚯)丈夫(fū(🗄) )长期在外(wài )，由女佣克里(lǐ )奥照顾(🦉)索(🏓)(suǒ )菲的(🔢)四个孩(hái )子。突如其(qí )来的两个(gè(🦍) )意(🏰)外，同时(⛓)(shí )砸中了女(nǚ )佣克里奥和(🌼)雇(gù )主(🍛)索(🔪)菲亚(yà(⭐) )，两人究竟(jìng )该如何面对(duì(😻) )苦涩茫(🦐)然(🎸)(rán )的生(🌘)活？四(sì )位孩子似(sì )乎是(🤷)希(🕯)望所在(💗)(zài )。 这是以(🛢)(yǐ )导演阿方索(suǒ )·卡隆(🎨)的(🧔)儿(ér )时(🖇)记忆铸(zhù(🏫) )成的影片，而(ér )卡隆其(qí(👠) )实(🚤)就是片(🔽)中某(mǒu )一位小孩。
导演瑞泽(zé )在家(😬)中(🕜)被人(ré(😞)n )残忍杀害(hài )，恰好在远方(fāng )目击杀(📵)人(🥓)现场的(😾)段爷(yé )前去救援，却被随后(🏺)(hòu )赶到(㊙)的(🏜)警察(chá(🛀) )赵正浩当(dāng )作杀人犯，经(jī(🎊)ng )过初步(🖕)排(🆔)(pái )查，警(🛬)方确(què )定此案应属(shǔ )熟人(🎱)作(🆑)案(àn )，在(😼)被害人(ré(🕖)n )瑞泽的社(shè )会关系调查(🧜)中(💔)(zhōng )，赵正(🌂)浩(hào )发现(🛵)瑞泽于(yú )死前数日曾(cé(🐶)ng )与(🗑)几位大(🔣)(dà )学同学在某桌游吧聚(jù )会过，此(📫)次(🈳)聚(jù )会(🐆)中竟有自(zì )己的妻子(zǐ )——法医(👪)书(👠)(shū )萱在(🥧)场。却正撞上偷偷(tōu )摸摸前(📣)来找线(🕌)索(🗣)的段(duà(💦)n )爷，两人做(zuò )起了临时(shí )探(🍑)案搭档。
從(🚚)高峰滑(📨)(huá )落谷底，比從(cóng )未風光過(🔑)(guò(🚛) )更難受(🆕)？前(qián )曼(🐨)聯球星簡(jiǎn )東拿變身(shē(🔁)n )潦(💭)倒過氣(🔀)藝(yì )術家(🔑)尤利(lì )西，那種時不(bú )我(⛅)與(🙂)的虛(xū(🚁) )空落寞盡在(zài )眉宇間。藝(yì )術學生(🚭)蒙(🆔)(méng )娜欲(🎠)拜他為師，反過(guò )來成了他重生(shē(👰)ng )的(🧗)希望。發(⏩)(fā )現身患絕(jué )症後，他由(yó(🏚)u )蒙娜作(🅱)伴(⏯)(bàn )，走出(🚳)隱居大(dà )宅，尋訪當年被他(🛅)離(lí )棄的(🏠)弟弟及(🔴)(jí(👫) )妻兒，坦(tǎn )白致歉望求(qiú(😼) )寬(💟)恕。感(gǎ(🗨)n )性而不感(🎉)傷，碧巴達以(yǐ )不慍不火(🛸)的(📞)(de )圓熟技(🅱)巧呈(chéng )現破碎人(rén )生的悲喜，冷不(🚣)防(🕡)遇(yù )上(🏣)慌失失劫匪(fěi )來個黑色(sè )幽默，也(😫)未(✔)(wèi )忘留(🧙)下孩子(zǐ )的善良，溫潤人間。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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