In the year 19
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
Aji Mathew, a lovable courageous and modest youngster, who hails from Pala. He meets an NRI girl Sara in his college, they fall in love regardless of their upbringing. Their moments of love did endure less, so does his happiness.
大学毕(🥩)业(🥀)没工作的晓丽，跟父(🌊)亲生活(🕶)在(zài )一起(qǐ )，整(🥊)(zhěng )天闲(👊)(xián )在家里玩游戏看漫(🐜)画，四体(🌐)不勤，非常懒散(👩)(sàn )。根(gē(🌡)n )据秋(qiū )冬春(chūn )夏四季(🚜)变(🗄)换的自然规律，影片(👮)讲述了(🔊)晓丽是(shì )如何(🤽)(hé )一步(🍖)(bù(👧) )步走(zǒu )出家门勇敢(🐎)走向社(🤮)会的......
古代有一(🤨)伙劫富(🔒)(fù )济贫(pín )平乱(luàn )为民(📛)(mín )的正(zhèng )义强盗，与一(💈)伙无恶(💨)不作的海盗，共(🎞)同(tóng )得(😏)知(🖇)(zhī )一条(tiáo )关于(yú )宝(🏣)藏(cáng )的(💽)消息，但想找到(🐗)宝藏必(🎰)须要找到一位(wèi )女孩(🍭)(hái )，藏(cá(✡)ng )宝图(tú )与开启(🐱)宝藏大(🥗)门的钥匙在女孩的手(🔉)中(🤯)，但女(nǚ )孩在(zài )多年(😺)(nián )前已(🤬)(yǐ )经消失在那(🚦)个世界(🌉)，传(🤳)闻是穿越到了另一(🛑)个(gè )时(🚝)代(dài )。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
伊(yī )格内(⤴)(nèi )修是(🍤)中产阶级，他经营着一(👅)家自己餐厅(tīng )，并(bìng )且(🧓)铁(tiě )腕(🥛)管(guǎn )理。因此与(🍇)员工不(🍱)断(✈)产生摩擦，尤其是和(🦐)厨(chú )师(🏙)。一次(cì )，员(yuán )工(🚜)没(méi )打(🚿)算联手设局反抗他，然(🕷)而事情(🛌)却并没(méi )有按(🚟)(àn )照计(🏗)(jì )划中(zhōng )进行...
详情
