阿黛尔(🎗)和她的母(
阿黛尔(🎗)和她的母(mǔ )亲孔(🚏)查生活(huó )在城郊(🌭)的一个贫民(mín )窟(🏻)里。孔查(chá )的丈夫(🌐)是(📟)个可恶的(de )暴徒，他(🈂)使(shǐ )母(mǔ )女俩长(🔜)期生活在(zài )暴力(🐟)和虐待(dài )之(zhī )中(🤘)。对(🎦)此忍无可(kě )忍的(🏝)孔查决(jué )定(dìng )不(😙)顾一切风(fēng )险，偷(🍼)走一大笔(bǐ )钱(qiá(⬇)n )，并(🔇)带着女(nǚ )儿阿黛(📪)尔逃离。不(bú )幸的(😄)是，她(tā )们在出逃(📄)中被发现(xiàn )了。在(🎪)追捕(bǔ )过程中，孔查(🦑)却意(yì )外地驾车(👯)撞(zhuàng )死了丈夫…(🤷)…这场(chǎng )逃离注(👋)定是(shì )一次冒险，而(🗯)母女(nǚ )俩竭尽全(📑)力(lì )，才能挣脱一(😎)直禁(jìn )锢她们的(🐪)牢(láo )笼(lóng )。在这段(⛸)跨(🧠)越生(shēng )命的寓言(🕡)中(zhōng )，力量、困难(📫)(nán )、爱(ài )的希望(🚆)、机(jī )会(huì )和死(📰)亡(🏓)如影(yǐng )随形。
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
一对(🧘)情侣(lǚ )外(wài )出度(🔳)假，入(rù )住豪宅，然(🗓)而，当(dāng )他们半夜(🌼)醒(xǐng )来，却发现自己(👦)躺(tǎng )在一个处处(😅)(chù )充斥着恐怖氛(🐢)围的(de )荒弃诡宅中(✂)(zhōng )……他们意欲逃(🔴)离(lí )，然而却始(shǐ(🌡) )终逃不出去，努力(🐴)(lì )奔逃，但逃(táo )往(😝)的地点却还是这(🖋)(zhè(🍖) )所诡异的荒(huāng )宅(🍭)(zhái )……更恐怖的(🥥)是(shì )，当他们再(zà(🈴)i )度(dù )回到这座诡(😴)(guǐ(🥊) )宅，却发现，时(shí )间(🏰)(jiān )跟他们走出(chū(📤) )去的时间，一样(yà(⛵)ng )……
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
玄门掌门(mé(🏥)n )江(🐰)元为救元都百(bǎ(🤪)i )姓(xìng )，牺牲自己(jǐ(🛥) )将上古妖兽飞天(💥)神(shén )猪封印于其(🚑)(qí )子江五山体内。此(🍉)(cǐ )后二十年，江五(❤)山在山村长大(dà(🌲) )，却因自小(xiǎo )长了(🛋)一条猪尾巴，一直(🛅)被(🐋)同村(cūn )人视为怪(🆔)胎。某日(rì )，江五山(👺)被(bèi )同(tóng )村人欺(🥙)辱，怒而(ér )变猪头(🗝)，因(💓)(yīn )此(cǐ )被赶出山(🙍)村(cūn )。怀(huái )疑自己(🎉)撞邪(xié )的(de )江五山(📽)前往(wǎng )元都，寻找(😐)改(🗿)变(biàn )自(zì )己之法(🏒)。
“我的一生中只害(🀄)怕(pà )一件事，就(jiù(🦆) )是有一天，黑色会(🍬)(huì )吞没红色。”
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