In the year 19
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
出租车司机(🙉)栗花的丈夫(😝)因车祸去世(🛡)。栗花与儿子(🍩)张(zhāng )明(míng )明(🚢)(míng )的(de )关(guān )系(🌞)(xì )紧张，为得(🗳)到儿子的承(🎷)认，她决定(💊)做儿子崇拜(🌼)的英雄。她(tā(🌃) )化(huà )身(shēn )出(👇)(chū )租(zū )女(nǚ(🌀) )侠(xiá )惩恶扬(🚶)善，无意中招(🏘)惹了贩卖人(🏘)体器官的组(🐌)织。栗花最终(🐅)(zhōng )打(dǎ )败(bà(⏪)i )邪(xié )恶(è )组(🍚)(zǔ )织，成为儿(🐃)子敬爱的(🐂)母亲。
特工尼(🏏)科洛·华莱(🌫)士（Troy N. Ashford 饰）是(🐗)一(yī )位(wèi )为(🚺)(wéi )政(zhèng )府(fǔ(🧤) )工(gōng )作的刺(🚝)客，专门刺杀(⏯)人尽皆知，臭(♟)名昭著的恐(🥔)怖分子。本已(📈)(yǐ )打(dǎ )算(suà(🥑)n )金(jīn )盆(pé(📠)n )吸(xī )收的尼(🚴)科洛在压力(🦓)下决定执行(🏟)最后一次，也(🥫)是最致命的(🌊)一(yī )次(cì )刺(🐝)(cì )杀(shā )行(há(🔧)ng )动(dòng )，杀死残(⛱)害他的家乡(🏊)格鲁吉亚的(🥛)疯子。当两个(✝)联邦卧底被(👙)杀(shā )后(hò(🔻)u )，华(huá )莱(lái )士(⚓)(shì )的师傅，李(🔗)大师（弗雷(🖕)德·威廉森(📆) Fred Williamson 饰）和他的(🤙)孪生兄弟尼(💚)希(xī )米(mǐ )（(🆙)Troy N. Ashford 饰(shì )）也(yě(🗝) )卷入了纷争(🆙)。尼科洛身边(🥉)的人都卷入(🆑)了这场致命游戏，这也(🔨)(yě )将(jiāng )揭(jiē(🎅) )露(lù )他(tā )可(🌭)(kě )怕的过去(🕛)......
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
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