Esben fakes hi&
Esben fakes his own death, so he can flee WWI and return to his beloved wife Kirstine and son Karl after 3 years. But everything has changed in his absence. A charming German Officer, Gerhard, has replaced his role as the father, and is trying hard to win Kirstines heart. From his hideout, Esben becomes a witness to a true nightmare and he must fight for love, survival and to save his family
A bloodthirsty drifter befriends an immigrant family and avenges their murdered father.
单亲家庭出身的(de )16岁女学生佩佩（黄尧(yáo ) 饰(shì )），她的城市既(🌄)是(📴)(shì(😋) )香(🐐)(xiā(👠)ng )港(🌴)(gǎ(🍧)ng )、(👫)也(🖕)是(🚽)深(🏪)圳(🔪)，白(🖐)天(🧖)在(🕉)(zà(🔪)i )香(💤)港上学，晚上回到(dào )深圳跟妈妈（倪虹洁(jié ) 饰(shì )）住在一起，频繁(fán )地(dì(👬) )穿(🕦)(chuā(🆕)n )梭(😨)于(📂)两(🚠)地(⛳)。为(📲)了和(hé )闺(guī )蜜Joe（汤加文 饰）一起(qǐ )旅行的约定，为了自(zì )己(jǐ )的存在感，为了对(⚽)(duì )Joe男(nán )友(yǒu )阿豪（孙阳 饰）懵(měng )懂(dǒng )的好感，她内心的冲(chōng )动被点燃，“水客”成为了她的另(🎺)一(🥘)个(👞)身(🍠)(shē(👏)n )份(🥣)(fè(🚵)n )，一(😵)段(🏸)颇(📢)有(👡)“冒(🤜)险(🤮)(xiǎ(👋)n )”感(🎑)(gǎ(㊗)n )的(💝)青春故事就此开(kāi )始(shǐ )。
"Roy is the nice guy who finishes last. Sick of his current situation, he accepts an invitation to have Christmas dinner with the beautiful and strangely alluring Emilia. Once at dinner, Roy realizes that Emilia and her oddball brother (Edward) are not what they seem."
在一千年古刹中，名唤飘逸的弟子正在(zài )修(xiū )法(🐟)，不(🕶)料(🦏)被(📓)妖(🕔)魔(🌒)幻(📓)(huàn )化(huà )的(de )女子缠身，险些走(zǒu )火(huǒ )入魔。寺中方丈听闻(wén )，提点飘逸须下山入(rù )世才(💔)能渡劫。
워커홀릭 남편을 둔 가정주부 아키호는매일 밤 욕구 불만에 괴로워하지만 임신한 딸(🔛) 부(✳)부(🥔)와(🅱) 함(🌟)께(➡) 살(🧔)기(🍲)에(🖐) 내(🕉)색(🥓)도(🚸) 못(🆘)한(🕎)다(🕰).얼(🦂)마 후 딸은 입덧 때문에 입원을 하고 남편도 외국으로 출장을 떠난다. 아키호는(📲) 사(🍒)위(㊙) 타(🐛)츠(🎨)와(🙌) 단(🤜) 둘이 남게 되자그 동안 쌓인 욕정을 참지 못하고 사위에게 뜨거운 바디 어택을 시도한(🍴)다.
In a dystopian future, a forensic investigator decides to travel to the Other Side, seeking evidence that will acquit him.
父亲溺爱儿(ér )子(zǐ )赛(sài )米，望子成龙。儿(ér )子(zǐ )面对升学压力，父亲(qīn )十分忧心却也只能(🌂)想(💺)(xiǎ(💳)ng )尽(⛔)办(🔽)法(🔍)帮(👢)助(🛹)，直(💟)到(⏳)有(⏲)(yǒ(🚥)u )天(📛)(tiā(🔣)n )儿(📙)子(🤓)无声告别，留(liú )下(xià )了(le )要“只身前往叙利(lì )亚(yà )”参与圣战组织的信(xìn )息，父(🐯)亲(🤬)踏(🙁)上(🖱)寻(🐬)找(🚫)儿(🤟)(é(🚬)r )子(zǐ )的路，才发现父子(zǐ )之(zhī )间(jiān )早已存在着难以调(diào )和(hé )的矛盾。启发自真人(rén )真事，突尼斯导演阿(ā )提亚由一段寻子经历(lì )，反(fǎn )映“阿拉伯之春”后(hòu )，国家如何受到伊斯(😩)(sī(🦗) )兰(🤖)恐(🍨)怖(✌)主(📘)义(🌸)和(🏈)经(♋)济(🏏)停(👟)(tí(📵)ng )滞(🛬)所(💯)影(🥂)响(Ⓜ)，国家悲剧(jù )与(yǔ )家庭悲剧并存。青(qīng )年(nián )们(men )被视为非理性的行(háng )动(dòng )背(🐼)后(🔯)，当(🐑)中(💙)的(🧚)复(🔧)杂(📆)情(🐩)(qíng )感究竟如何描绘？比(bǐ )利(lì )时电影大师达内兄(xiōng )弟(dì )协(xié )力监制，冷静有力(lì )，最终超越悲剧的伦理(lǐ )剧。
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