父亲(✒)溺(nì )爱
父亲(✒)溺(nì )爱儿(🛏)子(zǐ )赛米(mǐ )，望(⏳)子成龙。儿(♌)子(zǐ )面对升(shē(🍭)ng )学压(yā )力，父亲十(🙆)分忧心(🍰)却也只(zhī )能想(xiǎ(👅)ng )尽办法(🎎)帮助，直到有(yǒu )天(♈)儿(ér )子(🔞)无声告别(bié )，留下(🤱)了要“只(✏)身(shēn )前往(🐐)叙(xù )利(🛑)亚(yà )”参(🏦)与圣战组(👌)织的(de )信(🌄)息，父亲(🌵)(qīn )踏上寻(👍)找儿子(🧛)的路，才(✔)发(fā )现父(fù )子之(🌞)间早已(🍁)存在着难(nán )以调(🈶)(diào )和的(de )矛盾。启发自真人(🧓)真(zhēn )事，突尼斯(👊)导演(yǎn )阿(🏜)提亚由一段寻(🦌)子(zǐ )经历(🐌)，反映(yìng )“阿拉伯(🦓)之春”后(hòu )，国家(jiā(🙋) )如何(hé(⤴) )受到伊斯兰恐怖(🛥)主义和(🦇)经(jīng )济停(tíng )滞所(🔦)影响，国(📌)家悲剧(jù )与家(jiā(🌨) )庭悲剧(🎪)并存(cún )。青(🦐)年们被(👤)视为非(😢)(fēi )理性的(🛥)(de )行动(dò(😳)ng )背后，当(🎸)中的复杂(🏟)(zá )情感(😰)究(jiū )竟(⛽)如(rú )何描绘？比(📴)利时电(👀)影大师(shī )达内(nè(🍡)i )兄弟协力监制，冷静(jìng )有(🤳)力(lì )，最(zuì )终超(🚉)越(yuè )悲剧(📋)的伦理剧(jù )。
馬(⛔)(mǎ )可認罪(🍐)殺死(sǐ )自己的(📈)兒子，但不(bú )肯說(🍶)出(chū )動(🤘)機(jī )，儘管他反對(⛅)，法(fǎ )庭(✉)仍為(wéi )他指(zhǐ )派(⏹)辯護律(💏)師崔斯坦。隨著(zhe )律(👿)師(shī )的(👟)調查，一樁(🖲)家庭秘(🖤)(mì )密昭(👦)(zhāo )然若揭(😩)，他(tā )犯(🏊)下的案(🌔)子與鎮上(🔝)(shàng )的連(🐖)續(xù )殺(🤭)人(rén )案是否有關(💼)？
大和(🕴)(hé )击沉。
“拿(ná )摩一(🔑)等”来自英语“No. 1”的(de )译音(yīn )，在(♋)上海及江南方(🐫)言中有(yǒ(📘)u )“潮(cháo )、时尚(shà(🈶)ng )、最好”的(🦓)意(yì )思，而电影(🖍)《拿(ná )摩一等》则讲(🚄)述了(le )两(🔆)个相(xiàng )爱的(de )青年(👲)在即将(Ⓜ)进入婚(hūn )姻殿堂(🚳)(táng )时因(🦊)(yīn )城市生活压力(⏸)而产生(🦀)焦虑(lǜ )和恐(kǒng )惧(🦑)，在回归(⛰)小城镇生(🐘)(shēng )活后(🔶)(hòu )开始(➖)反思生(shē(🔋)ng )活和感(🐆)情的故(🚢)事。杨玏在片中(zhō(🐂)ng )饰演一(🏙)个在上海打(dǎ )拼(🍸)多年(nián )的小(xiǎo )白领肖声(🎀)，与东北女孩顾(🚂)(gù )真真(zhē(🚈)n )（邱林饰）爱(😌)情长跑多(🚛)年(nián )，但(dàn )随着(✳)婚姻的到来生活(huó )压力(🐚)(lì )突增而选择(zé(📙) )了返回(🦃)老家来短暂(zàn )逃(💲)避。从都(🥢)(dōu )市回归到家乡(🚑)小镇(zhè(🏮)n )的肖声(shēng )看到(dà(⬅)o )外公（(♊)徐才根饰(🕜)）外婆(🔸)（归亚(🍤)(yà )蕾饰）(🌎)的真挚(🍛)感情，开(✔)始(shǐ )反思自己的(🎃)(de )生活和(🧤)感情。
根据(jù )Madeleine St John所著(🌞)同名畅(chàng )销小说改编，设(⏮)定(dìng )在1959年的(de )悉尼(ní )夏季(🚴)，在澳大利亚的(🏗)文化(huà )觉(⭕)醒(xǐng )、阶级结(💎)构瓦解和妇女解(jiě )放的(💏)(de )背景下，讲述郊区(🐽)女(nǚ )学(👇)生(shēng )丽莎的成长(😋)(zhǎng )故事(👲)。丽莎在等待(dài )高(👃)考成(ché(🥑)ng )绩、梦想着去悉(㊗)尼大学(🥎)(xué )时，在(zà(🚈)i )一家(jiā(🏵) )大型百(🔒)货商店打(🚶)暑期工(⬅)，与一(yī(👋) )群女售货员并肩(🗞)工作(zuò(👽) )，在(zài )此期间打开(🥎)(kāi )了眼界，也发(fā )生了(le )蜕(😄)变。
以“弘扬衡水文化 促进(🚩)(jìn )衡水旅(lǚ )游(🥑)”，推广“水市(🌳)湖城 厚德衡(hé(🥇)ng )水”衡水文化，把美丽的衡(💬)水(shuǐ )湖和(hé )勤劳(🚪)善良的(🍠)衡水人民(mín )介绍(🈲)(shào )给各(🏘)地友人(rén )为目标(🐁)。张伟说(💡)，主创团(tuán )队均(jun1 )为(🏥)衡水本(🙆)地人士，电(✳)影中(zhō(🚘)ng )除了(le )有(🛃)多位巨星(🆔)加盟外(🍴)，其主(zhǔ(🆚) )要演(yǎn )员(🕸)和群众(🥄)演员都(🦓)从衡(héng )水本(běn )地(🍇)选拔而出(chū )，相信必将是(🏩)(shì )一部(bù )衡水人自己(jǐ(🆚) )的大电影。
The Luring is a psychological thriller about a man, Garrett, who tries to recover a lost memory that took place during his tenth birthday at his family's vacation home in Vermont. Unbeknownst to him, something unspeakable happened and as a result Garrett was found in a non-responsive state by his parents, which subsequently resulted in an extended stay in an institution. Psychiatrists call it dissociative amnesia - a loss of memory due to a traumatic event - but Garrett will soon learn some memories are best kept forgotten.
Inspired by Brexit and Donald Trump, Last Village on the Right is a delightfully tongue-in-cheek comedy-horror, following a group of American film makers on the way to the Cannes film market to sell a horror film, when they get lost and find themselves in a stunning small mountain town in the South of France, where a strange couple, Adolphi and his wife Kiki, seduce and murder tourists. Last Village on the Right will be a universally enjoyable, terrifyingly hilarious romp through the Pyrenees, which will have audiences rolling in the aisles.
An American mother searches for her daughter who was kidnapped by human traffickers in Central America
详情
