Wolfgang.Amade&
Wolfgang.Amadeu.Mozart:
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
4K/8Kの高解(🚗)像(🕋)度によ(🍚)る大型映像を(💫)はじめ、CMやPV、(☔)テレビ(🎑)番組、さらに(✋)はwebクリエイテ(🔽)ィヴ・デザ(🐶)インやグ(🍘)ラフィック方(🛫)(fāng )面でも活(huó(🐚) )躍する(📎)IMAGICAイメージワー(📞)クスと、『ALWAYS三(✈)(sān )丁目(mù )の(🌽)夕日』シ(🕵)リーズや『永(🙄)(yǒng )遠の0』な(🚝)どの大(🔧)ヒット作で知(🔚)(zhī )られる映像(🐆)制作(zuò(❤) )集団ROBOTがタッグ(🤸)を組んで、子(🤓)どものころ(🔸)に(🔑)見た夢(⏫)(mèng )を失いなが(😗)ら大(dà )人にな(🏘)り、多(🏘)忙(máng )を極めて(🕦)久しい現代人(❄)の心に、か(🙀)つてのあ(😜)の“想い”を蘇ら(👺)せるSFファンタ(🥁)ジー!
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
讲(🗂)述一(yī )名退休(😒)(xiū )的杀手,无奈(🥌)之(zhī )下只能(🤲)重(chóng )操旧(🌠)业(yè ),用上以(yǐ(🧟) )往(wǎng )的杀(shā )戮(🦃)技能,跟(🏬)曾经(jīng )的雇主(📸)大(dà )战一场(chǎ(🗑)ng )...
都说男(🗡)人(rén )一有钱就(🌋)变坏,女人一变(😤)坏就有(yǒu )钱(🎢),这(🧖)句话用(📝)在(zài )张宝文和(🍷)他的秘(mì )书身(👤)上绝对(🏼)合适(shì )。张宝文(🕒)原本有(yǒu )一个(🕴)非常好的前(🔴)(qián )程和家(👇)庭,但是(shì )他却(🏥)不珍惜,与(yǔ )自(🥋)己的秘(🐰)书走到(dào )了一(📰)起。这一段(duàn )办(😡)公室的恋情(🥅)导(dǎo )致了(👍)张宝(bǎo )文在事(🎵)(shì )业上和家(jiā(🍰) )庭上彻(📑)(chè )底破碎。秘(mì(🗃) )书的(de )贪婪最终(⛱)(zhōng )落到过(guò )街老鼠人(⏲)(rén )人喊打(dǎ )的(🐘)地步。当张宝文(🦒)重新回(❎)(huí )归家庭的时(📊)候,一个熟悉的(❎)面孔(kǒ(🔏)ng )站在了门口挡(🚏)住(zhù )了他的视(💂)线。
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