Summer 1989, Ea
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.
1995年(💐)，Jonas是个躲(🎡)在柜中的14岁(🤸)(suì )男孩，他对英(yīng )俊(🏯)潇洒的同(tó(🤯)ng )学Nathan一见(jiàn )钟情(🦁)，尤其(🤣)对Nathan桀骜不驯(🥪)的(de )一面(🗳)又(yòu )爱又怕(🍡)(pà )。18年后，三十而立(lì(😜) )的Jonas已是(shì )风(🎶)流倜(tì )傥的熟(😝)男，却(🍊)仍在(zài )寻找(😠)人(rén )生(🌕)平衡(héng )点，因(🏷)为挥之不去(qù )的回(📃)忆(yì )阴影，他(👞)回到睽(🆒)违已久(🙂)的(de )家(👧)乡，试图在每个记忆(🥐)角落，寻(xún )找(🤛)早已(yǐ )失去的线索(🐬)、14岁的自己(❌)，以及他(🚯)(tā )曾经爱(à(📿)i )过的那个男孩…
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’(👚)s what makes this story interesting.
该片改(gǎi )编(🙈)自脱(tuō )北女性(🆚)的真(👆)(zhēn )实故事(shì(👦) )，讲述(shù(✡) )的是抛(pāo )开(➖)家人，逃(táo )往韩国(guó(🛤) )的母亲(qīn )与(🛐)憎恨自己的儿(🎤)子(zǐ(😤) )在16年后(hòu )重(🎅)逢的(de )故(😐)事。
子どもに(👨)夢(mèng )を与え、想像(🏜)(xiàng )力をはぐ(🛀)くむコ(🥡)ンテン(🔩)ツ作(🧐)りをめざして、キ(🐵)ャラクター(💌)アニメーションを(😯)中心にデジ(🤨)タル絵(🏠)本やARといっ(🚓)たアプリなどを通(🍌)して、エン(🎹)タメから知(zhī(🔈) )育ま(🏪)で幅広く活(🌞)動して(✒)いるスタジ(😼)オななほしが、ジ(🚊)ャンルやメ(🍔)ディアを問わ(👘)ず、(💌)ものづくり(📙)を手掛(🚿)けるウサギ(💾)王と制作(zuò )。どこの(🐗)家にもある(🍁)縁起物(🎱)たちと(🍽)、彼(🕡)(bǐ )らが動くさまを(🕴)見た子ども(👽)たちとの交流を、(🍙)躍動感いっ(😂)ぱいに(🔙)描いたドタ(😜)バタコメディ！
東京(🌯)(jīng )國際同(tó(🔂)ng )志影展參展作品
Aom is haunted by horrible nightmares which can’(🌐)t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
详情
