电影讲(👊)(jiǎng&#
电影讲(👊)(jiǎng )述了(🙆)天(tiān )蛊(🧟)门蛊师(🥎)蓝左，于(♍)70年代初在(zài )苗(miáo )疆逃(táo )亡时滚(🍶)(gǔn )入未(🍷)知山洞。多年后，在(🚒)千(qiān )年(😊)(nián )一遇(yù )的血(xuè )月(yuè )之夜，蓝左(🥍)曾经的(🧚)队友刘(💊)洪(hóng )绑(🕕)(bǎng )架了(🌞)(le )8名至阴(🕜)(yīn )女性(♍)炼“活人(🐞)蛊”，企图(🏽)复(fù )活(huó )上古(gǔ )时期的(de )蚩尤，让(🎫)血蛊门(⛽)东山再起、扬(yá(🧤)ng )名世(shì )界。就在此时，当年跳崖的(⬅)(de )蓝左，返(🅱)老还(há(🔬)i )童成“小(💣)鲜肉”重(🗂)现人间(👼)，联手以(🈵)(yǐ )苗医(💡)身(shēn )份(🐑)隐匿江湖的妻子蓝姨，高(gāo )校(xià(🤦)o )叛逆(nì(🧒) )学生妹(mèi )蓝湘婷，与刘洪(✴)对决一场大(dà )虫(chóng )师之(zhī )异形(⬇)大(dà )战(🌘)，以阻止(🐟)这场人(♎)间浩劫(🐞)。
银(yín )行(🤱)经(jīng )理(😮)雅各(gè(🔊) )布(弗兰(🥋)克·格里罗饰)的同事(shì )被(bèi )暴(🐌)徒(tú )夺(🤷)去生(shēng )命，而他将(🛀)和警察(布鲁斯·威(wēi )利斯(sī )饰(🍓))联手制(🗝)服凶手(🧟)。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
这部现(👛)代(dài )童(✔)话故(gù(🍡) )事围绕(🏧)(rào )一个(🐬)女孩在(🔃)一座神秘城市中(zhōng )的奇幻(huàn )冒(🛫)险展(zhǎ(🤙)n )开。U2乐队主唱Bono与维姆·文(📵)德(dé )斯(sī )共同(tóng )担任监(jiān )制，Bono与(🆎)威利·(🔹)纳尔逊(🥥)操刀原(🔣)(yuán )声(shē(🏹)ng )歌曲(qǔ(👬) )。
喧嚣(xiā(💦)o )的都市(🕯)中，在碟(👩)店打工的男(nán )主(zhǔ )角阿(ā )正与(🔼)都(dōu )市(🚅)白领小美邂逅，两(🎡)颗寂寞(mò )的(de )心渐(jiàn )渐走近(jìn ),直(😈)至两人(🍺)之间的(💕)交往被(🈹)一个(gè(🌐) )中(zhōng )年(🔖)男(nán )人(🈷)发现，阿(👜)正被其(🐜)找人暴打之后，两个带(dài )着创伤(🛅)的身体(📈)才最终(💸)越过了(le )底线。 阿正(🥗)天(tiān )真地认为这种暧昧关系即(📞)代(dài )表(⛸)着一(yī(🗄) )种情感(🐬)(gǎn )的承(🥡)诺，而小(🐷)美或许(🎊)只是将(🔲)(jiāng )其(qí(🤐) )作为(wéi )一种愧(kuì )疚下的补偿、(🦔)一段临(🎊)时的慰(wèi )藉(jiè )，甚(💑)(shèn )至从未(wèi )对阿正产生过所谓(♌)的的“爱(🍲)(ài )”。
2033年(niá(🥒)n )，一名(mí(🕍)ng )少女受(📰)困在一(🛀)間神祕(👀)的孤兒(🚯)(ér )院(yuà(🧀)n )。她(tā )穿越時空回到了過去，尋找(💍)自己的(📐)(de )親(qīn )生(👆)父(fù )母，企圖要改(⛎)變過往、扭轉(zhuǎn )未來，或許，她的(🐗)人生將(⚪)有不同(♒)的發展(🚦)。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
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