张乾(💠)救了师(㊗)
张乾(💠)救了师(㊗)妹苏樱(💰)雪(xuě )，在(zài )表白(bái )前(🕴)却(què )误(🦎)(wù )杀了(💅)师弟，导致了师妹的误会，两(🦁)人(rén )阴(😴)差(chà )阳错(cuò )来到(dào )现代后(🍛)(hòu )，张乾(🏖)一直希望得到师妹的原谅(🦏)，却(què )没(👿)想(xiǎng )到半(bà(🍯)n )路杀(shā(🔃) )出一个(🐻)(gè )长的很像师弟的(👿)李一白(🏇)，三人的(💨)感情(qíng )在这(zhè )段错(😇)(cuò )综复(🛋)(fù )杂且(🔩)水(shuǐ )土不服的现代(👃)生活中(🤞)闹出不(🧕)少笑话。
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
四名(míng )大学(🗺)(xué )生在(💬)(zài )暑假(💩)进行社会实践，到偏(🌳)远的村(🙇)庄拍摄(👛)(shè )纪录(lù )片，调查(chá )民间(jiā(😆)n )鬼(guǐ )怪(👎)文化。
SAM哥飾型格幹探重案組(🤼)梁SIR 調查(🔈)(chá )案件(jiàn )，可(kě )能是(shì )一隻(🦅)變(biàn )種(🉐)兇獸攻擊人(🚯)類，他要(🚛)消滅兇(🆎)獸，拯(zhě(🕠)ng )救世(shì )界
都(🏿)(dōu )说男(⏲)(nán )人一(🚫)有(yǒu )钱就变坏，女人(🤐)一变坏(👫)就有钱(🎨)，这句(jù )话用(yòng )在张(🌔)(zhāng )宝文(🍝)(wén )和他(💷)的(de )秘书身上绝对合(🔵)适。张宝(👮)文原本(💻)有一(yī )个非(fēi )常好(😾)(hǎo )的前(💣)(qián )程和(🤹)家庭，但是他却不珍惜，与自(🏉)己的(de )秘(🌷)书(shū )走到(dào )了一(yī )起。这(zhè(🌙) )一段办(🐣)公室的恋情导致了张宝文(⏳)在事(shì(🈵) )业上(shàng )和家(📴)(jiā )庭上(🌊)(shàng )彻底(🏷)破(pò )碎(🚡)。秘书的贪婪(📮)最终落(🚄)到过街(🐃)老鼠人(rén )人喊(hǎn )打(🥚)的(de )地步(🎟)(bù )。当张(😵)(zhāng )宝文重新回归家(🐸)庭的时(⛺)候，一个(⏪)熟悉(xī )的面(miàn )孔站(🤱)(zhàn )在了(♐)(le )门口挡(🚕)住了他的视线。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
详情
