喧嚣(🏄)的都市中(♒&
喧嚣(🏄)的都市中(♒)，在碟(dié )店打工(gōng )的男(💁)主(zhǔ )角阿正(zhèng )与(🈶)都市(🏋)(shì )白领小(🚻)(xiǎo )美邂逅(hòu )，两颗寂寞(👥)的心渐渐走近,直(🏰)至两人之间的(🏣)交往被一(yī )个中(🗃)年(niá(⛅)n )男人发(fā(🗂) )现，阿(ā(🔀) )正被其(qí )找人(⛱)暴(bào )打之后(hòu )，两(🥦)个带(😈)着创伤的(🚔)身体才(😥)最终越过了底(📽)线。 阿正天(tiān )真地(👽)认(rè(🚒)n )为这种(zhǒ(🛂)ng )暧昧关(🥒)(guān )系即代(dài )表(🏿)着一(yī )种情感(gǎ(😁)n )的承(🎆)诺(nuò )，而小(❎)美或许只是将其作为(👒)一种愧疚(jiù )下的(🙈)补偿(📨)、一(yī )段(😯)临时(shí )的慰藉(jiè )，甚至(💰)(zhì )从未对(duì )阿正(🍻)产(chǎn )生过所(suǒ(💊) )谓的的“爱”。
Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder
藝術家(📿)自古(💘)皆寂寞或(✡)許是境(📏)界，人(rén )到中年(👍)(nián )萬事憂(yōu )則是(📣)現(xià(🦆)n )實。在(zài )畫(➡)室洋(yá(👵)ng )洋灑灑(sǎ )呈現(🎥)自由雄風的裸男(🥊)畫作(👹)令他一舉(👞)成名，在(🍁)家面對(duì )前妻(🔖)懷(huái )着新歡(huān )骨(📡)肉、(🗄)與女兒(é(🐟)r )相處尷(gān )尬卻令(lìng )他(📸)一籌(chóu )莫展。貝蒙(🕉)特的(⚫)寂寞，在於(👨)如何在著名畫家與單(🎋)親(qīn )爸爸雙(shuāng )重(👷)身份(fèn )、藝術(🐀)(shù )創作與(yǔ )家庭(👊)生(shē(🌉)ng )活之間(jiā(🤡)n )取得平(🕍)衡。維羅（《電影(😏)就在街角》，35 屆）找(💃)來合(👵)(hé )作多年(🌈)(nián )的編(🔏)劇(jù )兼美指(zhǐ(⛱) )好友對(duì )號入(🌏)座(🤟)(zuò )，還(😌)原(yuán )藝術(🚏)家有血(🚺)有肉的矛盾本(🌦)性，在出世與入世(⬜)的兩(🌰)難外，毋(wú(🕑) )忘點點(diǎn )超現實(shí )的(🌽)幽默(mò )。
Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
印度(dù )每(💫)年有(💓)(yǒu )超过二(😰)(èr )万宗针对女性的暴(👌)力罪案，平均每二(♎)十二分钟就有(📓)(yǒu )一名女(nǚ )性被(🛋)强(qiá(🐌)ng )暴，每(měi )六(🍸)小时(shí(🤹) )就有一(yī )名妇(🧓)女(nǚ )因家庭暴力(🥙)丧命(🚈)。年轻的基(👼)层女警(😠)索妮与上司卡(🎺)帕(pà )纳在德(dé )里(👶)一同(❤)(tóng )接手调(♋)(diào )查不(🤚)同(tóng )的女性(xì(💸)ng )暴力事(shì )件，在办(🍈)案过(🖐)程中往往(🛹)遭受到了重大阻力，无(🛣)日无之的罪(zuì )案(🗄)令她(🔻)(tā )脾气暴(🗺)(bào )躁，做(zuò )事方式(shì )偏(🧜)离常(cháng )规，被(bèi )裁(🥜)定在执勤中行(🚪)为不当，而私人生活也(📩)影响到了她(tā )的(💩)职业(yè )表现，与(👾)丈夫(fū )已经彼(bǐ(⛴) )此疏(🚀)离(lí )，却要(🏧)(yào )被迫(🔋)面对他突然的(🔰)到访。印度电影少(🕰)见的(🤽)写实题材(🗻)(cái )，以一(🎧)(yī )场一镜(jìng )营(❇)造出(chū )真实迫(pò(🤩) )力，将(🥍)(jiāng )社会低(🕥)(dī )下层女性受到压迫(🚙)的问题表露无遗(🍂)。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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