17歲的莎(🧢)拉全(q
17歲的莎(🧢)拉全(quán )心投入學(🥈)校(🔳)的(🍁)戲(xì )劇排練(liàn )，赤(🚯)(chì(📌) )裸地體驗舞(wǔ(🍫) )台上和生活(huó )中的(🌎)暴力。當她試圖揭(jiē(🌸) )露(👞)深藏心中的醜(🎙)(chǒu )陋秘密，高(gāo )聲呼(🚵)喊卻孤(gū )立無援，於(🍭)(yú(🐃) )是在莎士比(bǐ )亞(🙆)和華格納(nà )的經(🏫)典劇目(mù )中尋(xún )找(📷)寄(😬)託，她(tā )想握有茱(🕎)麗(lì )葉的匕首，想(🥧)跟隨伊索(suǒ )德的(😩)腳(🏧)步(💻)殉情而去，當(dāng )她(🏺)站(🆙)(zhàn )上舞台，她(tā(💳) )是否能對世(shì )界(🏘)展(💗)開(📣)反擊(jī )，扮演的界(🏖)(jiè(👰) )線究竟在哪裡(🕯)？
钱麟遂父亲(qīn )心(🏫)愿，带上(shàng )门客亦卿(🦈)和(🦅)(hé )小厮春子，来(🔄)到七灵峰(fēng )找辛于(🤨)学习剑法(fǎ )。亦卿与(🖥)辛(🥄)(xīn )于因为投缘(yuá(🌝)n )结为知音，岁月静(🌟)好。子夜来到辛(xīn )庄(🍅)要(🎿)挑战辛(xīn )于，被辛(🚰)于重伤(shāng )，钱麟却(🦒)对(duì )子夜一见如(❎)(rú(🔊) )故(🏝)，教他辛(xīn )于的剑(🍉)法(😕)。亦卿看出子(zǐ(➰) )夜身(shēn )上戾气，劝(💾)(quà(🐑)n )阻(🤶)钱麟，钱(qián )麟毫不(🚻)在(😕)意(yì )。子夜却在(☕)(zài )剑术精进后杀(😄)了(😿)(le )钱麟的师父(fù )辛于(🥫)，两(😗)人(rén )积怨。辛于(🕊)(yú )死后，子夜(yè )在江(👿)湖声名(míng )鹊起，并暗(🥕)中(🔸)送(sòng )银子给钱麟(📄)(lín )。子夜与钱(qián )麟(✅)相遇，两(liǎng )人间隙更(⭕)甚(🎺)(shèn )，亦卿见钱(qián )麟(💔)对自己疏(shū )离，也(💉)伤怀离开(kāi )钱府(♓)…(😮)…(✔)
時(shí )は安土桃山(🧚)(shā(🔪)n )時代。忍びの郷(🕧)を抜けた篠(17)は、(🏒)追(📪)(zhuī(🛑) )手から逃走する(⏲)際(⛳)に2015年にタイム(🔺)スリップしてし(🔳)ま(🍒)う。
Feeling disconnected with her teenage son, a protective mother decides to step outside of her comfort zone and take him camping. But as soon as she arrives, she begins butting heads with her handsome cabin neighbor, a single father and outdoorsman who is also in search of a connection with his teen daughter. Friction soon sparks a flame as these opposites attract. Stars Danica McKellar and Paul Greene.@
建筑工程师(shī )迈(🏬)克(☔)尔打算(suàn )带着(🍔)十四年(nián )都未曾联(🚸)系(xì )的儿子路易(yì(🍎) )斯(🧀)去挪威参(cān )加父亲的葬(zàng )礼。二人(🚒)因此有(yǒu )了一段从(🛋)未(🧠)(wèi )有过的独处(chù(📸) )时光，迈克(kè )尔也(🚮)想借此(cǐ )机会弥补(🚛)自(📤)(zì )己作(zuò )为父亲(🐪)缺席(xí )的十四年(🥌)。然而，无论(lùn )迈克(📟)尔(🖊)怎(🏎)样(yàng )试图和儿子(✉)沟(🐐)通都无法(fǎ )得(🧣)到(dào )积极的回应(⬇)(yī(㊙)ng )，二人之间(jiān )仿佛有(✒)着(❗)一(yī )堵无法逾(⏯)越(yuè )的心墙。尽管这(🏗)(zhè )一路上遇到(dào )的(🕕)种(🌸)种麻烦(fán )让路易斯一(yī )直埋怨父(🕷)亲(qīn )的粗心大意(yì(🌔) )，迈(🐌)克尔依(yī )然希(xī(✂) )望能够推翻(fān )彼(🏯)此间的隔(gé )阂。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
当医(🤵)生(⏱)(shēng )来敲门，健(jiàn )康(🈶)的人都成(chéng )病人(🏎)，不管(guǎn )小病(bìng )还(🔀)是(🤔)重(🚌)症，能够赚钱都(dō(🌫)u )是(🌑)好病人。
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