巴勒(🏮)斯(🏎)坦(t
巴勒(🏮)斯(🏎)坦(tǎ(🙊)n )電視台(🏥)攝製(zhì )臥底肥皂劇(jù ),連以色(🏐)列(🌨)(liè )婦(🏢)孺都晚(🐼)晚(wǎn )追看(kàn )。編劇因情(qíng )節背(📮)離(🎷)革命(🚝)(mìng )而辭職,監(jiān )製的多口侄(zhí )仔助理(🙀)受(🎿)命(mì(🧣)ng )執筆,頻頻(pín )借女(nǚ )角之口,向(xiàng )電視(🐔)機(📅)前的(⚪)(de )舊愛示好,以色列檢查站軍官則(💼)企(qǐ(🖲) )圖(🈹)恃權(⛲)影響(xiǎng )劇情(qíng )發展,以便(biàn )在(🗳)追(👵)看的(🐌)嬌(jiāo )妻(🈚)面前自吹(chuī )自擂。助理即使槍(📎)抵(🌖)腦(nǎ(🌁)o )殼,都不(🕝)肯(kěn )接受(shòu )軍官要求的(de )大團(🔛)圓(🗑)結局(💖)(jú )。抗爭(🧐),必(bì )須繼續!影(yǐng )展新秀蘇亞(🎙)(yà(🚯) )比巧(👇)(qiǎo )妙調侃以巴(bā )關係,他的(de )喜劇座右(🛒)銘(🧘)(míng )是(🙌):要能大笑,必須面(miàn )對苦痛,並(bìng )與(👦)之(🎪)(zhī )周(🔧)旋。獲威(wēi )尼斯地平線(xiàn )單元最(👕)佳男(🏧)(ná(👠)n )主角(🧞)獎。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.
30岁的屌丝青(🛴)(qī(⛔)ng )年李(🍆)(lǐ )星辰(🌋)遭遇感(gǎn )情伤害后整(zhěng )日花(🚜)天(🚧)酒地(🚬)(dì ),靠着(🍘)自己(jǐ )口才和坑蒙(méng )拐骗开(🕟)了(🛢)一(yī(📡) )间星(xī(🔔)ng )座的咨询室(shì ),生意一般(bān ),但(🥎)自(❕)由自(⬆)(zì )在无拘无束(shù )的生活着。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
故事(shì )发(🚯)生(🥁)在墨(🥃)西(xī )哥城的一个(gè )中产阶级社(shè )区(📃)“罗(😩)马”,讲(🚦)述年轻(qīng )女佣克里奥(ào )(雅(yǎ )利扎(👭)·(❣)阿巴(💷)(bā )里西奥饰)在雇主索菲(fē(👠)i )亚(🦈)(玛(♌)丽娜·(🔉)德·塔维(wéi )拉饰)家中(zhōng )工(🌐)作(💔)(zuò ),该(⏭)家中索(🖤)(suǒ )菲亚的丈夫(fū )长期在外,由(💱)女(🥫)佣克(🥂)里(lǐ )奥(🕷)照顾索菲(fēi )的四个孩子。突(tū(🔤) )如(⚽)其来(🔚)的两(liǎng )个意外,同(tóng )时砸中了女(nǚ )佣(📶)克(✝)里奥(🥣)和(hé )雇主索菲亚(yà ),两(liǎng )人究竟该如(🗾)(rú(💬) )何面(💥)对苦涩(sè )茫然的生活(huó )?四位孩子(⛽)似(🧚)乎是(🧗)希望(wàng )所在。 这是(shì )以导(dǎo )演(🖕)阿(🤾)方索(🖕)·卡隆(💬)的儿时(shí )记忆铸成的(de )影片,而(♎)卡(🛰)隆其(⬆)实就是(🙀)(shì )片中某一位(wèi )小孩(hái )。
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
This is the untold story of the true Mayan Apocalypse that has been misinterpreted by scholars and was to have taken place on 12/12/12 - that was obviously wrong. A secret group of Mexican superheroes, known as El Trio de la Luz, are forced by destiny to include their adopted gringo into their group to help fight to save humanity. Will the car salesman and local TV personality carry his weight and transform from the GRINGO into the GREEN GHOST? We shall see..
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