故(👕)(gù )事(🐃)
故(👕)(gù )事(🐃)发生在(⛹)2045年(niá(👗)n )，虚拟(nǐ )现实技术已经渗透(🔒)(tòu )到了(🚑)人(ré(🧚)n )类生活的每(🛒)一个角(jiǎo )落。詹姆斯哈利迪(🚱)(dí )（马(👺)克(kè(🛏) )·里朗斯(sī(🤥) ) Mark Rylance 饰）一手(shǒu )建(💑)造了(le )名为“绿(🕟)(lǜ )洲”的(de )虚拟(🔛)现实游戏世(🕝)界(jiè )，临终前，他(🙎)宣布(bù )自己(😄)在(zài )游戏中(🌏)设置了一个(🍘)(gè )彩蛋，找到这(🤯)枚彩(cǎi )蛋的(🎊)人(ré(🏚)n )即可成(😼)为绿(😤)洲的继(jì )承人。要找到这(zhè )枚彩蛋(❌)(dàn )，必(💕)须先获(🚩)得三(🛏)把(bǎ )钥匙，而寻找钥匙(shí )的(🤘)线索(suǒ(❓) )就隐(🎒)藏在詹姆斯(🎆)的(de )过往之(zhī )中。
圣诞节，米格(♎)(gé )兰一(🐬)家发(💗)现全家已(yǐ(🎵) )被神秘(mì )的金(☕)属物(wù )质包(🐌)围，但究竟(jì(🤾)ng )是什么，工业(🔍)事(shì )故？恐怖(🐁)袭击？核(hé(📙) )战争？在电(📨)视机上(shàng )出(🐊)现了(le )“进一步的(🕥)指示”，他们(men )按(🔂)照电(👏)视机(jī(🥀) )的指(🚥)示(shì )，展开了血腥的屠(tú )杀…
这(zhè(👬) )是一(🔻)个发(fā(🔷) )生在(🍛)古(gǔ )镇酒楼前任账房先(xiā(🍡)n )生身上(🌰)(shàng )的(🥂)故事。风(fēng )六(🚖)书独(dú )自上路，赴京赶考(kǎ(🥋)o )。路上(shà(😵)ng )结识(🙂)了两个同样(♏)是(shì )进京赶考(🏈)的学子：书(💧)香门(mén )第之(🔱)后薛(xuē )梦隐(🍺)和(hé )武(wǔ )状元(♟)种(zhǒng )子选手(🕧)江(jiāng )牡虎，三(👃)人气味相投(♑)决定(dìng )结伴而(🌊)行。可两人(ré(🌖)n )言语(📞)之(zhī )间(🥞)一个(🙆)比一个经验(yàn )不俗，一个比一个(gè(📞) )厉害(♊)。风六书(🍅)无奈(🤫)，为了(le )维护自(zì )己的面子(zǐ(🌩) )和尊严(👈)(yán )，也(🕠)为了不失去(♊)这(zhè )两个“朋友”，他(tā )只好把(⏺)(bǎ )自己(🥦)在古(⤵)镇酒楼时(shí(🍢) )遇到的(de )事，用另(🎇)一个角度(dù(😒) )重新编排了(〰)一遍。两位朋(📿)(péng )友听闻之(zhī(🎓) )后，对(duì )风(fē(🎚)ng )六书肃(sù )然(⛄)起敬，甚至连(😲)(lián )称大哥。然而(🛸)这样(yàng )的“编(💧)排”又(🐁)会给(gě(🏌)i )风六(🌸)书(shū )惹来什么麻烦呢？
师兄李(lǐ(💫) )昆在(🗑)京剧演(🌑)(yǎn )出(⛺)中打(dǎ )起了广告。师弟侯(hó(🙃)u )广智觉(🔘)(jiào )得(🕉)李昆侮(wǔ )辱(🤐)了戏(xì )台，两人话不投机(jī(🦀) )分道扬(🚹)(yáng )镳(🎰)。五年后(hòu )李(💊)昆靠(kào )演孙大(💢)圣走穴发家(👟)(jiā )。侯广(guǎng )智(⛹)则成了剧团(🕯)的孙(sūn )大圣专(🚇)业户。 李昆(kū(🌑)n )联系到(dào )一(⬅)笔生意(yì )但(🥑)却需(xū )要(yào )侯(✉)广智(zhì )的帮(🍥)助。侯(🚨)广智(zhì(🥥) )答应(📱)李昆来见客户(hù )—马老板。马老板(🎏)(bǎn )最(🍡)近迷(mí(🌒) )上了(👾)一个网红，并(bìng )准备为(wéi )她(🔄)排一部(🎉)《真假(🤚)美(měi )猴王三(🆒)打白骨精》。因为(wéi )这违反了(👇)(le )京剧传(😤)(chuán )统(🐿)，侯广智愤然(🧔)拒(jù )绝。李(lǐ )昆(🎗)偷了祖师(shī(🌩) )爷的戏(xì )服(📑)签了合同，愤(😩)怒(nù )的侯广(guǎ(🐊)ng )智与李昆再(🥐)次决裂(liè )。但(💆)当侯广智看(🕌)到(dào )徒弟们(men )竭(🍋)力招揽(lǎn )顾(😗)客时(🍛)(shí )他(tā(🏠) )终于同(tóng )意演出。 试演当(dāng )天侯广智潇(😠)洒上(⭕)台(tái )，李(🏼)昆内(👮)心对京剧(jù )的热忱(chén )被侯(🍊)广智唤(🥃)醒，他(👭)(tā )配合着侯(🌝)广智说出(chū )了原汁(zhī )原味(🙄)的戏词(💒)。两人(🐿)(rén )合演了(le )一(⚽)版传统(tǒng )的《真(💊)(zhēn )假美猴王(🔜)》，这一(yī )刻所(🧦)有人都感受(👠)到(dào )了京剧(jù(🌓) )的魅力。
“NO BORDER 2D×3D” を(🥖)キャッチフ(⏱)レーズに掲(👀)げ、2Dと3Dの境目(🥎)をなくすク(🌩)リエ(🆗)イティ(⚫)ブな活(huó )動(dòng )を目指す３DCGプロダクシ(💖)ョン(😡)“Picona Creative Studio”。本作は(🖥)どん(😩)なものでも捨(shě )ててみせ(🦀)るゴミ(🛶)捨て(📵)屋コンビと(😪)、魔法を捨(shě )てたい魔女(💬)が繰り(✊)広げ(❗)る、ファッ(🔦)ション× ポッ(🌒)プ× アニメ(🎂)をキーワー(📗)ドに魔法と(🌞)科(kē )学を絡(luò(🤓) )み合わせた(🔅)スラップス(🌸)ティック・(🕚)アニメーショ(🔕)ン。同社が長(👨)(zhǎng )年(🏰)温めて(👨)きたオリジナル企画が、ついに実現(⛎)！
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
不管(🐚)这导演(👋)嗑了(🔻)什(shí )么很纯的，全部都(dōu )要(🔹)给你(nǐ(🚘) )来一(🉑)点！在澳洲这(😅)(zhè )座曾经被称作「无(wú )主(🔂)之地(dì(📩) )」（(👧)Terra Nullius）的大陆，历(👭)(lì )史以前(qián )所(🔄)未见的(de )观点(🍧)重(chóng )新诠释(🛺)：当《疯狂(kuá(👎)ng )麦斯》末日场景(🏝)成(chéng )为难民(😰)(mín )拘留地，食(🌇)人羊成(chéng )为(🌽)反殖(zhí )民叛乱(🌦)份子，《沙(shā )漠(🔨)妖姬(🔮)》与电视(😝)剧(jù )《请喜(xǐ )欢我》有(yǒu )了跨(🙇)时(shí )空(kōng )的(🤠)酷儿(🏜)对话…(✴)…本(📽)片以(yǐ )近似DJ取样混音之拼(🎤)(pīn )贴手(🎌)法，打(🥘)开了虚(xū )构(🗝)与史(shǐ )实间的神秘黑洞，大(📺)量援引(🗝)电影(🚟)名场(chǎng )景与(👫)历(lì )史典故，穿(🥏)越时空(kōng )与(😇)各种(zhǒng )语境(🛒)，重(chóng )写、改(😚)(gǎi )写、乱写，全(🔏)面毁(huǐ )坏观(Ⓜ)众的三观！这(🔓)(zhè )是一部(bù(🛄) )政治复仇预言(😹)，杂(zá )揉讽刺(👘)(cì )喜(💌)剧、生(🅾)态恐怖与(yǔ )公路电影类型(🛹)，写(xiě )下澳洲(🍑)(zhōu )国(🛷)族神话(🐼)(huà )从(🌋)未被(bèi )纪(jì )录的史诗篇章。
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
After being double-crossed by Hondo on her own ship, Maz tells some stories.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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