ユ(🕴)ミは夫と(🤟)娘(🎱)(niáng )の3人暮らし。近(✅)々引っ越(🙍)しを考えている。ユ(🅾)ミは娘の(👤)レイナが(😖)時(shí )折う(🤺)わ言(yán )を(😈)発することが、少(🤩)々(📊)気にかかっていた(💚)。転居の報(💤)告(gào )も兼ねて友人(🕺)ヒロミと(📔)久々に再(🏽)(zài )会する(🎯)ユミ。話題(🐋)はいつしか(🌕)「あの日(🛰)」のことに。「私(sī(🚤) )たちが埋(🏙)めた時、本(běn )当に(🌚)死(sǐ )んで(🖤)たのかな(🚆)?」。ユミ(💖)は(🚚)「あの日(rì )」のこ(🆚)とを清算(🔳)すべく、サエ、ア(💖)コにも再(🗯)会を決意(Ⓜ)(yì )し、廃(💖)墟のよう(🈴)な家(jiā )に一人で住(🏳)(zhù(🕝) )むサエに会(huì )いに(😕)行く。サエ(🤳)は、見知らぬ少(shǎ(🌂)o )女が現れ(🔔)て娘だと(🕢)言(yán )って(🔘)聞かず、(🏵)しばらく一(🕗)緒に暮(mù(📯) )らしていたが死ん(🔫)だこと、(🈹)そして少(shǎo )女は死(😞)んだまま(🤣)その家の(🍯)3階に寝(✍)か(🕌)されているという(😺)ことを話(💾)(huà )し出す。(C)「黄泉が(🏩)える少女(🐊)」製(zhì )作(🉑)委員会(huì(💡) )
When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
故事发生(🔏)在(zài )2045年,虚拟现(xiàn )实(🚉)技(🥉)术已(yǐ )经渗透到了(👚)(le )人类生活(🛳)的(de )每一个角(jiǎo )落。詹(🏵)姆斯(sī )哈(🌨)利迪(马(😧)(mǎ )克·里(💟)朗斯 Mark Rylance 饰)(🏤)一手(shǒu )建造(🥇)了名为(wé(🚆)i )“绿洲”的虚拟现实(shí(⏩) )游戏(xì )世(📤)界,临终前(🈷),他宣(xuān )布(🤞)自己(jǐ )在(🚴)游(yóu )戏中(🐊)设置了一(🌬)个(🔶)彩蛋(dàn ),找到(dào )这枚(➰)(méi )彩蛋的(🧢)人即可成为绿(lǜ )洲(⛅)的继(jì )承(📗)人(rén )。要找(👝)到这枚彩(🐆)蛋,必须先(🍾)获得(dé )三把钥匙(shí(🧕) ),而(🏂)寻找钥(yào )匙的线索(🛋)就(jiù )隐藏(💒)在詹(zhān )姆斯的过往(👼)(wǎng )之中。
Aom is haunted by horrible nightmares which can’(🚉)t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
目(mù )标成(🔭)为作(zuò )家(⛸)的青年李(🗓)(lǐ )钟秀(刘(🥅)亚(yà )仁 饰(🕦)),平日里靠兼(jiān )职(♏)养活自己(🐊)(jǐ )。经营畜(🕌)牧业的父(🌩)亲(qīn )不谙(✨)(ān )人情,官(🕰)司缠身,迫(🦋)使(😬)钟秀(xiù )又要(yào )为了(🚓)搭救父亲(🚻)而四处(chù )奔走。这一(🔡)(yī )日,钟秀(⏰)在某大型(🛎)卖(mài )场重(🔒)逢(féng )了当(🐲)(dāng )年的同学申惠美(🗞)((🔩)全(quán )钟淑 饰)。惠美(🍐)计划(huá )近(🐎)期前往非(fēi )洲旅行(👝),于(yú )是拜(🦔)托钟(zhōng )秀(😮)照看爱猫(🍘)(māo )Boil。不久后(😇)惠(huì )美回国(🤹),与之一同(♈)下(xià )飞机的还有(yǒ(🔸)u )名叫本((🎼)史蒂文·(🍚)元(yuán ) 饰)(🌯)的男子(zǐ(🕒) )。本驾驶保时捷,居(jū(🕝) )住(😯)在高级公(gōng )寓内,优(🛣)哉游哉,不(♿)(bú )见工(gōng )作,四处玩(🏢)乐,和钟(zhō(🖕)ng )秀相比(bǐ(🦗) )有如(rú )天(💪)上地下。不(🌕)知为何(hé ),本走(zǒu )入平(🐁)(píng )民钟秀和惠美的(📜)生活(huó ),更(👌)向新朋(péng )友讲述了(🕋)(le )他奇特的(🎬)癖(pǐ )好。在(🌶)钟秀(xiù )家(🥉)小聚的(de )那个晚上过(guò(🚆) )后,惠美仿(🥃)(fǎng )佛人间蒸(zhēng )发了(🍻)一般无(wú(🌞) )影无踪…(♐)…
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
阿黛尔(🕚)和她的母(🚓)亲孔(kǒng )查生活在城(😰)(ché(💫)ng )郊的一个贫民窟里(🕓)。孔查的丈(📂)夫(fū )是个可恶的暴(🏒)徒,他(tā )使(👇)母(mǔ )女俩(🔱)长期生活(🐶)在暴力(lì(🙋) )和虐待(dài )之中(zhōng )。对此(🎚)忍无可忍的孔(kǒng )查(🗼)决定(dìng )不(🍆)顾(gù )一切风险,偷走(🤔)一大(dà )笔(👴)钱,并带(dà(🔱)i )着女儿阿(🛎)(ā )黛尔逃离。不幸的是(🛅),她们在出(🏐)(chū )逃中被发现(xiàn )了(🏿)。在追捕(bǔ(🔇) )过程中,孔(🔺)查却意外(🔑)(wài )地驾车(🐎)撞死(sǐ )了丈夫……(⏸)这(🍕)场逃离(lí )注定是一(🚋)次(cì )冒险(✏),而母女俩竭尽(jìn )全(😏)力,才能(né(😹)ng )挣脱一直(🆕)禁锢她们(🤫)的(de )牢笼(ló(💼)ng )。在这段跨越生命的(de )寓(💊)言中(zhōng ),力(lì )量、困(➡)难、爱的(🔽)希望(wàng )、机会(huì )和(🏍)死(sǐ )亡如(🏕)影随形。