青(👚)年画家岸春自(
青(👚)年画家岸春自(🔪)小(xiǎo )在内蒙(mé(🚏)ng )古长大，当地的(👉)风土(tǔ )人(rén )情(🏷)造(zào )就了他的(🗳)艺术才华。然(rá(📈)n )而在(zài )他的(de )内心(💯)一直有着一块(🔵)(kuài )难以(yǐ )抚平(🕟)(píng )的伤痕，过早(⚾)缺失(shī )的母(mǔ(🔭) )爱让(ràng )这位人(🌡)前光鲜的艺术家(🚖)(jiā )在情(qíng )感(gǎ(🍃)n )里陷入迷失，常(📤)以酒(jiǔ )精为伴(✋)(bàn )麻醉自我。当(🚿)受一位(wèi )蒙古(👙)老(lǎo )人所托，为(🍔)他英年早(zǎo )逝的(🛋)母(mǔ )亲画一幅(💽)肖像，这个(gè )母(📡)亲的(de )肖像却怎(🎠)么都画不出(chū(📒) )神。对(duì )于母爱(🚵)缺少感触与理(🎅)(lǐ )解(jiě )，成(chéng )了他(🐔)无法落笔的难(👓)题。心烦(fán )意乱(🚬)(luàn )之时，岸春遇(🧀)到了(le )单身(shēn )妈(📯)妈(mā )如西，如西(🍜)和儿子(zǐ )的温(wēn )情不(bú )仅让他(🔊)感受到母爱的(📊)温(wēn )暖也(yě )让(😆)(ràng )他找寻到了(🧠)爱情的味(wèi )道(🍪)。但(dàn )是，母亲到(🔗)底为什么(me )会从小(📲)(xiǎo )抛弃自己，在(🦄)日日夜(yè )夜的(🛏)叩(kòu )问中，也在(🚯)如西的介(jiè )入(😮)下，似乎有了意(🔹)想不到的(de )答(dá(🥚) )案，岸春也踏上寻(👑)母之路(lù )。母亲(🤟)(qīn )的肖像到底(🦌)能否兑现给(gě(♎)i )蒙古(gǔ )老人(ré(😠)n )的期盼？岁月(💾)里母(mǔ )爱的(de )真相(xiàng )会怎样揭开(♏)？原来(lái )，岸(à(🖍)n )春的(de )母亲一直(🆎)以一个特殊的(📋)(de )身份(fèn )出(chū )现(📋)在他的生活里(🌟)！面(miàn )对时间(jiān )、(🕸)面对生命的脆(⌛)弱多(duō )变，只(zhī(🌻) )想向岁月祈求(🌩)，时光(guāng )你慢些(👦)(xiē )走，让儿子还(✅)能记下(xià )母亲(🚶)的(de )容颜......
【家在蘭(💸)若寺】華(huá )語(🍆)首(shǒu )部VR電影！蔡(🎊)明亮導演，李康(📇)(kāng )生主演。
When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their youlady.cc differences and follow the trail of evidence to a formerly abandoned asylum.
人據(💌)說一生最(zuì )多(🎊)有(yǒu )十萬(wàn )條頭髮，每一條頭(tó(😪)u )髮質(zhì )感長(zhǎ(🦎)ng )度有異，但都承(🍄)載著煩(fán )惱的(♉)(de )回憶。「時光理(🤼)髮」剪(jiǎn )掉的(💠)(de )不(bú )只是頭髮，還(🐝)有街坊(fāng )不快(✊)的(de )記憶。行將式(🌺)微的舊(jiù )式廣(🧣)東(dōng )理髮店店(👸)主海泉叔指(zhǐ(🏯) )望兒子(zǐ )長發(😺)繼承衣缽，不過(guò(😙) )兒子卻(què )更想(🧟)當文青，希望透(🈹)(tòu )過(guò )文字(zì(😞) )和音樂改變世(🦗)界。一次(cì )意外(🥨)(wài )，長發被迫代父親落場(chǎng )當師(😽)(shī )傅，透過理髮(🐯)為街坊排(pái )憂(📆)解(jiě )難，更與離(🤠)家出走少女相(🤤)遇(yù )相知(zhī )，重(⛰)新反思自己的前(😐)路(lù )。傳統(tǒng )理(💋)髮店交織舊區(⛳)鄰里(lǐ )人情，《點(⏪)五步》男角岑珈(⏬)(jiā )其化身(shēn )理(📝)髮店傳人，演出(🥈)清(qīng )新自然(rán )。
Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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