奧馬(😃)(mǎ )爾在
奧馬(😃)(mǎ )爾在倫(🦋)敦(dūn )過着富(🚼)(fù )裕生活(🔪)(huó ),還有(yǒu )一(🦐)年就大學(🚇)畢業,一 切看似安好(hǎ(🌐)o )。然後(🏣)(hòu )忽然一(👜)天(tiān )感召來(😯)(lái )了,他(tā(😰) )無法再(zài )忍受波斯尼(👛)亞大(🖍)批穆斯林被虐殺(㊗)(shā )的(📔)報道(dào )和(❤)影像(xiàng ),要做(🌗)點(diǎn )什麼(🐟)改(gǎi )變世界(jiè )。真人真(📙)事改(📰)編,呈現恐(🏤)怖份子的成(🗾)魔(mó(🚙) )歷程(👨);不(bú )從英(🐠)美(měi )主流(🦈)角(jiǎo )度去看(kàn ),也不全(🔎)循伊(⛹)斯蘭觀點(🏦),究竟可以折(♍)射(shè )出一(💨)幅(fú )怎樣的(⤵)圖(tú )像?(🆎)觀(guān )眾跟隨(suí )攝影機(💃)(jī )見(🎐)證奧馬爾(🥃)在巴基斯坦(⚾)山區受訓(🙏)(xùn ),在新(xīn )德里綁架(jià(🎪) )視為(🗾)沉(chén )默同謀(móu )的歐美(🚴)(měi )遊客,策(🍈)劃謀殺《華爾(🙈)街日報》記(🌴)者,以致最(zuì )後(hòu )就擒(🆘)。的確(😢),人在做(zuò(⚫) )天在看,問題(🛷)是哪一個(❓)天在看。
年輕(🤼)媽(mā )媽凱(🦉)西(xī )為(wéi )了逃離(lí )家(😇)暴的(💔)(de )陰影,帶著(⭐)三個小孩住(🐌)進了一幢(🔆)舊屋。原本以(yǐ )為這會(🌍)(huì )是破碎家(jiā )庭的避(🕹)(bì )風(🐼)港,沒料到(🛒)(dào )入住之後(🌶),才是一連(🆖)串心神不寧(níng )的開始(🤞)(shǐ )。
该(🙎)片是(shì )以现在(zài )的 商(🔙)界(jiè )奇才(🎾)“史玉柱”为原(🖊)型(xíng )人物(🎊)的创业 故事(shì )进行多(🎯)(duō )次(🖋)改编(biān )而(🤳)(ér )成。
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
《四个春(🌲)(chūn )天》是(shì(⏬) )一部以真实(😞)家庭生活(🥉)为背景的纪录片。15岁离(📞)家(jiā(🌡) ),在异乡(xiā(🍡)ng )漂泊多(duō )年(😋)的导(dǎo )演(🥨)以自己南方小城里的(👥)父母为主角,在(zài )四年(🏝)光(guā(⚽)ng )阴里,以(yǐ(🏁) )一己之(zhī )力(🥅)记录(lù )了(✨)他们的美丽日常。在如(💏)诗的(🌗)乐活慢生(shēng )活图景(jǐ(🚛)ng )中,影像(xià(🔳)ng )缓缓雕(diāo )刻(👟)出一(yī )个(🌊)幸福(fú )家庭近二十年(😨)的温(🍥)柔变迁,以(💆)及(jí )他们如(🥐)(rú )何以自(👁)(zì )己(jǐ )的方(🤴)式(shì )面对(🌚)流(liú )转的时(shí )间、人(🦄)生的(🕸)得失起落(🥐)。
此片以在民(🐶)间广(guǎng )为(👯)流传(chuán )的(de )民国“鬼新娘(🔛)(niáng )”故事(shì )为背景,讲述(🖲)了都(🧣)市青年林(👞)青衣和梁晓(📐)(xiǎo )光感人(📹)(rén )至深的爱(ài )情故事(💪)(shì )。
工(👣)厂(chǎng )停工,张金生无处(🅰)可去,他独(🕢)自一人在(zà(😸)i )工厂徘(pá(🚈)i )徊,一段(duàn )古怪的(de )声音(🎄)把(bǎ(👟) )他引入(rù(📉) )另一个世界(🚡),那里时而(🤵)漫天大雪(xuě(🎉) ),时而(ér )寂(🎆)静荒(huāng )凉(liáng ),他看(kàn )到(💤)了不(🦇)(bú )同的自(🐏)(zì )己。
On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.
《莫霍克(🧦)人》立意为(🥛)历史剧,发生(shēng )于1812年第(😹)(dì )二(èr )次独立(lì )战争(🗯)接(jiē(🚬) )近尾声(shē(🔄)ng )之时,但随着(🎗)美国原罪(😣)在眼前展开,由(yóu )此产(🐎)生(shē(🤲)ng )的神秘色(sè )彩和恐(kǒ(❌)ng )怖效应(yī(✅)ng )让这部影片(🍗)真正成了(🖨)令人毛骨悚然之作(zuò(⏺) )。
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